Yeah, I've got a full set of studio lights for "off camera lighting", but I'm not dragging them to a night beach barbecue and have to worry about rigging up power to take candids of my family getting drunk...
You do know that there is such an invention as a light stand and a hot shoe for
speedlights, right?
Visit
Strobist for an eye opener.
BTW, I carry as many as *3* studio heads to a wedding. Matter of fact, 1 of the 2 flashes I had going ALL the time was a studio head on a stand 13 feet in the air powered by a Vagabond II battery pack and triggered by a Pocket Wizard. I shot over 2000 pictures last night and this morning, plugged in the Vagabond unit... it was fully recharged in LESS than 15 minutes, meaning that after 2000 pictures, I likely had *another* 2000 pictures to go before reaching about 25% of the total battery life... lol.
I tried out 5 shots of on camera flash last night... just for fun. Well, it took me 5 seconds of chimping to clearly remind me why I do *not* use my flash on the camera.
- the lighting is flat and BORING
- everyone looks like a demon (can you say red eye)
- it over-lights everything with very little control
- basically... it looks like crap!
If you want, later on tomorrow when I process the pics, I can post some examples of the same scene using off and on camera lighting... I'm not doing that today... it's my birthday, and I am taking a well deserved day off after a really hard but tremendously fun wedding.
(too bad I found out late in the evening that the private golf club where the reception was held belonged to Celine Dion. Not sure if that is true or not... but that place was FINE!)