Hmm, you say the raw has no information in it - but when I import it into Aperture, it's a direct copy of the JPG.
Odd - but I'll give it a go! See what happens!
I have never used Aperture, so I don't know what it does.
But .....
Raw is raw, there are no camera adjustments in Raw. The reason we use Raw is so there are no adjustments in it, and we can see it first, to know what it actually needs first, and have the proper tools to do it well. The camera settings are in the Exif, but NOT in the Raw file data.
Your sig says Nikon, and I use Nikon, and so I am speaking here about Nikon.
Some software (specifically talking about Adobe Raw) does give White Balance a go, and tries to figure out the Exif. Nikon does NOT make this be easy.
For one thing, color temperature degrees K is not in the Exif. Color is encoded, so to speak. It was actually worse ten years ago, see
nikon white balance encryped - Google Search Note this is ten years old.
Adobe went around and around with Nikon, and Nikon no longer encrpyts. Photographers do think their picture is their own property.
Nikon still does not disclose how to access their encoded data, but at least they do not encrypt it now.
Point is, this is no easy problem.
Adobe Raw takes a good crack at WB (only WB, nothing else), close but no cigar. Bottom line, we still have to address WB ourself.
Even if we could access WB, the camera WB was just a crude setting, never really right for the actual light, and bottom line, we still have to address WB ourself.
This is the beauty and purpose of Raw, so we can see what it needs done.
Nikon Raw software does (can) use the Exif settings in the converted JPG image. They know how to access Nikon Exif settings.
I don't know what Aperture does, but raw is raw, the meaning is, there are no settings performed in the raw file.
Surely you will want to give it some attention before outputting the JPG copy.