goooner said:
I'm not a portrait photographer, but I think these are nice. Except maybe for the yellow line through her head in 4...
Interesting that you'd mention this because I thought #4 was extremely clever lenswork, with the wall leading into the frame, and then the double-overlap, at head and wrist area. The line doesn't go through the head...
the head overlaps the yellow line, adding a tremendous feeling of depth. I also like the highlighted, windblown hair, and the way the jacket almost comes to the edge of the shadow. To me #4 shows really good photographic instincts, and wonderful highlights on the hair, and soft, open shadow. I would consider cloning out that "V" shadow on the ground though. I thought #4 was really clever use of everything in the frame, really a clever, 3-D composition.
In shot #1, I think the street lamp might be better if it were cloned out.
Expression #6...I really do not like that expression, which I find disquieting, enigmatic, difficult to decode.
I saw the boy and dog and old truck shot the other day on Facebook...thought it was framed a bit too tightly, did not like the head being cropped into in that semi-wide sort of a composition, but it does have a good core to it. I would be tempted to punch it up a lot more, and make the lighting more contrasty, make the highlighted area brighter, and boost the shadow-side punch. But I do like the core elements: old truck, window, dog, kid looking good, tree as background, good sky for B&W, lower camera angle.
Something interesting I think when looking at pictures of people is how the shot looks when it is seen small, as a thumbnail, and how it looks seen larger and in higher detail.