ferny said:It may sound big headed, but... I'm pretty good with my fingers in the dark. I just seem to have a knack for fiddly jobs. I remember Mindy getting grumpy when my first emulsion lift came out ok. :mrgreen:
ferny said:I've got to get a changing bag now to? :shock:
I'm going to try it in the dark first go. I'm a stubborn idiot. I'll let you know that you were right later. :mrgreen:
ferny said:I've got to get a changing bag now to? :shock:
I'm going to try it in the dark first go. I'm a stubborn idiot. I'll let you know that you were right later. :mrgreen:
ferny said:When you load the reels, why does it have to be in complete darkness? When you load the camera you have to pull out some film, why can't you just pull out that bit, load up the reel and get it started and then switch the light off and carry on? There's probably a really good reason.
Orie's right; you cannot trust those cassettes not to scratch your film - and I mean, the possibility of 2 or 3 long, thin lines from start to finish. Bye-bye, film.oriecat said:I think probably just because of the risk of scratching the film, running it through the cassette again? You could probably try it that way, but you'd have to be careful how much you pulled out, so you don't ruin your first few frames.
ferny said:You're confusing.
What'd mean there?