What does beauty have to do with art? Not a damn thing.
In reference to which post? I agree, beauty has nothing to do with it.
A carpenter is not a woodcarver. A woodcarver is an artist; a carpenter (qua carpenter( is not. Even inept woodcarving is 'art'; beautiful carpentry is not 'art'.
I wasn't necessarily correcting you, just clarifying. You seem to assume people think that a beautiful photo is art but a regular photo isn't. I don't know if anyone has been making that case here. If they have I have missed it but I felt it needed to be mentioned for any that do.
I think that's the general notion, that a photograph that is extraordinarily beautiful is a 'work of art'. The term 'fine-art photography' is tossed around, and is used to describe photography of 'pretty things', and includes typically as subject matter nudes and landscapes.
The term 'art' in this context is a term of approval and praise, referring to something that has transcended 'mere' photography and entered the divine world of 'art'. I argue this is not the case.
I wish to point out that 'artist' basically means 'painter'. Photographers should stop comparing themselves to painters and quit feeling inferior to them. The world needs carpenters
and woodcarvers. I can imagine someone who does both woodcarving and carpentry, but surely you understand the distinction.
The whole Pictorialist movement stemmed from this feeling of inferiority; photographers kept trying to imitate artists (painters) with the result that the photographs so produced no longer exhibited the virtues that photography has.
Pictorialism - Wikipedia, the free encyclopedia
Also note this:
http://www.rleggat.com/photohistory/history/pictoria.htm
"
By the second half of the nineteenth century the novelty of capturing images was beginning to wear off, and some people were now beginning to question whether the camera, as it was then being used, was in fact too accurate and too detailed in what it recorded. This, coupled with the fact that painting enjoyed a much higher status than this new mechanistic process, caused some photographers to adopt new techniques which, as they saw it, made photography more of an art form. These new techniques came also to be known as High-Art photography." (My italics for emphasis; bold in original.)
Here are some examples of the extremes to which some photographers went to try to make 'art' photographs:
http://www.rleggat.com/photohistory/history/rejlande.htm
http://www.rleggat.com/photohistory/history/robinson.htm
This last one is merely made with some interesting lighting:
http://thebeat.iloveny.com/wp-content/uploads/2009/01/goldenskythreewomen1.jpg
I reject Pictorialism's basic premise to begin with: that photography can be considered 'art'. It leads to constant attempts to justify its status as fine art by various 'techniques' that more or less resemble those of painting, that attempt to 'free' photography from its constraints as a mechanical process. Well, yes, if you modify an image so much that it is no longer a photograph, your work approaches that of a 'work of art'. But then of course it can't be
both. It's one or the other. The attempt to free photography from its constraints as a mechanical process leads to the ultimate destruction of the photograph as photograph.
Let's say you took a portrait photo of someone, then took the print and used it as a canvas, painting all over it with oils, except the eyes. Is this then a 'work of art'? Probably, because only a trace of the photo remains. Is it a photograph anymore? Not really.
Do you understand what I mean now?
There is no need for photographers to feel inferior to painters.