I am totally new to digital photography. I used my Mother's old Canon SLR a bit in high school and always wanted to take it further. Fast forward 18 years and I'm finally at a place in life where I can start affording to do some of the things I'm interested in.
I bought a Canon Rebel XS with the kit lens as well as the EFS 55-250mm. My brother bought me a Canon D60 after finding out my husband had expressed interest in photography as well. This will give us 2 bodies so I can have one for back up when my husband isn't with me.
My brother is also sending me a 28-90mm and 70mm (or maybe 75)-300mm.
I have nothing else.
What are the must haves in terms of filters and other equipment for an aspiring photographer. I'm just a few weeks in but I'm already saving up for L glass for when I figure this stuff out. It's now become an obsession.
Thanks in advance for any advice.
Did you mean to say 60D instead of D60? There was actually a D60... but that'd be about 10 years ago. There's a 60D which is a 'current' model (it was released a couple of years ago, but is still manufactured and sold.)
If you do in fact have an XS (not an XSi) and a D60, then this is one situation where I'd consider saving up for a more current body before investing in L glass.
When I first made the jump to a DSLR (from film), the first body I had was an entry-range body (I didn't want to over-invest and then be disappointed.) It was a good camera, but compared to the current cameras, it was limited in ISO range and had high noise levels at moderate ISO speeds (e.g. ISO 400 looked fine, but ISO 800 was a bit noisy, and anything above ISO 800 was _very_ noisy to unacceptable.) My current cameras can shoot at ISO 6400 and 12800 and exhibit less noise. In other words... sensors have evolved.
If you're taking all your shots at ISO 100, then you wont notice noise -- and that's pretty much true of any camera... even a fairly old digital camera. A high quality lens such as a zoom that can provide a constant focal ratio of f/2.8 will let you collect four times more light than a variable focal ratio zoom that might only let you shoot at f/5.6. Four times more light is a big difference. But that's about the same as shooting with a camera that would only produce a good image at ISO 400 or lower... as compared to shoot at ISO 1600 (which is also a 2 stop difference... the same as the difference between f/2.8 and f/5.6).
A nice L series lens, such as the 24-70mm f/2.8 II is about $2000 (and that's roughly in the ballpark of what the 70-200mm f/2.8L II costs as well.) There are some f/4 versions of those lenses -- and they are less expensive, but an f/4 lens is only a 1 stop improvement from f/5.6. That would be like increasing the ISO from 400 to 800.
A newer and more current camera body, on the other hand, will shoot at higher ISO speeds while exhibiting less noise.
I real you're not planning to buy L series lenses or new camera bodies next week... that wasn't the point of your thread. But before you plunge in and buy L series lenses (which are, frankly, a wise investment... even if and when you buy new bodies you can keep using those L series lenses AND they hold their value EXTREMELY well. A "used" L series lens generally still sells for about 85% of what it would have cost "new".
Make a mental note of the exposure settings you are using and, in particular, the ISO speeds you find yourself needing to use.
The items I think every photographer should own:
1) A decent bag.
2) A decent tripod.
3) A decent external flash / speedlight - one which can be bounced and also work as a slave to get it off the camera. E.g. the Canon 430EX II is a good first speedlite.
Then
4) A circular polarizer (must be "circular" polarizer - aka "CPL" and not a "linear" polarizer or "top" polarizer.)
5) A 3-stop neutral density filter
6) A remote shutter release
I didn't bother to mention items such as spare batteries or memory cards. But if you're like me, there will come a day when you'll pull the memory card from your camera, slide it into the card reader on your computer to unload it, then FORGET to put it back in the camera when you go shooting again. When you're miles from home, you'll pull out the camera and get the dreaded "no card" message and start kicking yourself. SO... I keep at least 1 spare card in my camera bag (which... has come in handy.) It's also possible that you'll get a card failure. I have personally never had a card fail, but many here have... and you'll want to know that there's another card in your camera bag that you can switch to rather than be done shooting for the day.