Derrel
Mr. Rain Cloud
- Joined
- Jul 23, 2009
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My point still stands though:it's not just a few steps, it's 14 ft difference between the two distances, and most 50 mm lenses are ugly imagers, and relatively cheap lenses , while there are a number of really good, beautiful imagers in the 85mm lens category. My attempt was to dispel a commonly repeated canard. I have yet to see a single 50 mm lens that has the beautiful Imaging quality of the Nikon 85 mm F 1.4 AF-D as a portrait lens, nor one that is as razor-sharp as Nikon's current $399 85 mm f/1.8 AF-S G Series, which is one of the sharpest lenses around for less than $4,000, according to the extensive testing at DXO Mark. I owned the 85 mm 1.8 G for about 7 years, and photos made with that lens are extraordinarily sharp and clear. If you want second-tier lenses from Canon or Nikon, then their DX lenses have that in spades. Both Canon and Nikon have maintained a "second-class citizen" status for their DX line of lenses, but their full frame lenses are at the best they can make. Using a 50 millimeter prime lens on a DX body gives you a roughly 75 mm equivalent field of view which is not the same as an 85 mm.
There have been millions and millions of high-quality lenses which have been designed for use on a 24 × 36mm Imaging
area, but just a handful of lenses have been designed for the newer DX format, many of them relatively bad quality, non-professionally oriented lenses.
Despite your attempt to give the guy a bum steer (misleading information), my math is 100% correct. There is no comparison between shooting a DX camera and an FX Nikon. I shot both formats about the same number of years, and the world of FX in Nikon is much better than the world of DX Nikon. FX Nikon cameras are incredible for the most part, but cameras like the original poster's Nikon D3200 are cheap $350 bodies with one control wheel. We are not talking about just lenses here, we are talking about Nikon FX camers options, which have always been of the very highest quality possible at the time of manufacture,whereas Nikon DX options over the last decade have with the exception of the D500, been cheap entry and mid-level cameras, but all Nikon FX cameras are capable of astounding image quality. For someone who is used to a Nikon D3200, the originally $2,700 Nikon D700 will be a remarkable upgrade, like moving from a Yaris to a Cadillac DTS.
There have been millions and millions of high-quality lenses which have been designed for use on a 24 × 36mm Imaging
area, but just a handful of lenses have been designed for the newer DX format, many of them relatively bad quality, non-professionally oriented lenses.
Despite your attempt to give the guy a bum steer (misleading information), my math is 100% correct. There is no comparison between shooting a DX camera and an FX Nikon. I shot both formats about the same number of years, and the world of FX in Nikon is much better than the world of DX Nikon. FX Nikon cameras are incredible for the most part, but cameras like the original poster's Nikon D3200 are cheap $350 bodies with one control wheel. We are not talking about just lenses here, we are talking about Nikon FX camers options, which have always been of the very highest quality possible at the time of manufacture,whereas Nikon DX options over the last decade have with the exception of the D500, been cheap entry and mid-level cameras, but all Nikon FX cameras are capable of astounding image quality. For someone who is used to a Nikon D3200, the originally $2,700 Nikon D700 will be a remarkable upgrade, like moving from a Yaris to a Cadillac DTS.
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