I do not think this has been mentioned yet, but there area still a good number of lenses in use that were designed and computed back in the film era, and which are ,"Not that hot" when used on digital sensors. FIlm, being lots on tiny little bits of sensitized silver suspended in an emulsion was more or less fairly adept at picking up and forming images with light rays that came in to the edges of the frame at pretty steep angles; PIXELS, or pixel wells, are not quite as receptive to light that "glances in" at steep angles. Telephoto lenses do not have near the same issue, as the light leaving even old-style teles is exiting and hitting the sensor at fairly straight-on angles.
Most manufacturers of lenses now have taken into account the "digital capture" need for light rays that are not doing "deep knee bends" as the light comes out of the rear of their wide-angle lenses...and they've redesigned most NEW wides and wide zooms for greater, as Nikon calls it "telecentricity". Stopping down most lenses a bit seems to help sharpen up their image a bit; but not too far down, as today's higher megapixel sensors and smaller sized sensors are more prone to being limited by diffraction at smallish f/stops.