It's a very convenient happenstance that the ratio of the aperture's size to the lens's focal length is a constant measurement of how much light gets in. An aperture iris opened to a circle of 1/4 of the lens's focal length ALWAYS lets in the same amount of light, no matter what the focal length. Expressing the aperture size as that ratio is
way the &#*! easier than expressing it as a physical dimension, which differs with focal length. "I'm using a 50mm lens, so I need to set the aperture to 12.5mm. No I'm using a 300mm lens, so I need to set the aperture size to 75mm."
No, no, no!!!

I'll just set the aperture to
f:4 in each situation, which is 1/4 the focal length.
Since the
f-number is the bottom of the fraction, a bigger number produces a smaller aperture, less exposure.
As stated just above, a "stop" change either doubles or halves the amount of light getting into the camera. With shutter speed and ISO, stops are linear: half the speed or half the ISO is half the exposure. Since aperture is a measure of area, that "squared" factors in, so a stop isn't double or twice the number, but "halfway" there, a factor of the square root of 2. That's why a stop of aperture looks fractional. A stop less exposure from
f:2 is
f:2.8, which is 2 time the square root of 2. Not trying to introduce a bunch of math, which you don't really need to be aware of, just explaining why the scale is what it is. 1.4 - 2 - 2.8 - 4 - 5.6 - 8 -11 - 16, etc.
Every other f-stop
is double or half the ratio.