I'll take that as rhetorical, since answering in all truth and honesty would probably just get me into trouble with the mods for hurting you and amolitor's feelings.
Oh, don't flatter yourself. In order to hurt my feelings, I'd need to have a measurable level of respect for you...
It makes him and his work "great" to those who value his work to that degree.
Um, okay, that's pretty much what I was saying.
So, I guess... thanks for stating the obvious...
I myself didn't think much of it beyond, "yeah - screen savers" until I saw it in person in a gallery in San Francisco - and it reached in through my eyeballs and shook my brain in a way that nearly knocked me to my knees and literally left me with a feeling of tingling, vibrating euphoria that lasted for several hours after the experience. Up until that moment, I was CLUELESS about Peter Lik's work, and was unqualified and unprepared to comment on it in any meaningful way up until then, though you'd never have been able to convince me of that until it kicked my a$$ in person.
Oh, I see.
So because Amolitor is in the same position you once were, you feel justified in calling him out for never seeing Lik's stuff?
Have you seen it large as life in person, or are you similarly unqualified without knowing it? It sounds like the latter, since everyone I've talked to who's actually seen it in person describes it as an unforgettable experience. Like someone earlier in the thread said, they could charge admission just for letting you in to look at it.
I have seen it in person.
His work is excellent. I said that before. Is it unforgettable? Depends, I suppose. I've seen similar images by other photographers, and had you seen those images, and not Lik's, you'd be salivating over
those...
Those who haven't seen it in person and make comments like, "yeah - screen savers - blah" or "yeah - printing big makes anyone's stuff look good" (implying "yeah - so this is no big deal - blah") ARE as clueless as people who've never ridden a roller coaster saying, "yeah - a cart riding up and down on hills - blah - boring".
Nonsense. Yours is an opinion. You've sipped the Lik Kool-Aid, and have concluded that no one could possibly view it and not be ridiculously and irrevocably impressed by it.
My criticism is that some people who don't know what they're talking about LOVE to chime in like they're experts. Wannabe art critic bloggers who can't themselves make work worth spit carry on with their snooty noses in the air about accomplished photographers, saying they suck and their work is gauche and mediocre and cliche and so on, pretending that anything popular is, by default, no good, so they don't like it. THAT is what's "stupid" to me.
Amolitor was clear that he didn't know who Lik is, so it's kinda' silly to try to promote the argument that he was chiming in as an expert on it. Not knowing who he is precludes him from commenting on his work.
You've gone off the rails simply because you
think someone offered nothing more than an opinion regarding the work of someone you so clearly idolize. Ergo, objectivity will not be your strong suit here.
THAT is why I laughed my a$$ off recently watching Zack Arias show up here and kick a certain wannabe photography/photographer critic blogger's a$$ over that kind of bullschit, and why he gets very little respect from me. He either makes a valid point and gets credit for it, or he makes yet another bullschit statement and gets called on it, but his too few "attaboys" don't buy him any passes for his bullschit with me, and neither do yours buy any for you.
Don't like it? Can't take it? You know where the Ignore button is.
You're not important enough for me to ignore. In fact, I'm getting a real kick out of this.
It's pretty clear you've got an over-inflated sense of self here, to think that my not being able to buy a "pass" from you should bother me.
Really, in the grand scheme of things, you're just some random guy on the internet, and I really tend to not get too spun up by random guys on the internet...