(please excuse the cut and paste typeface)
I'm more concerned with the visual pull of the empty space off to the left, and that bright,bright, bald highlight that goes all the way to the floor on the left of the frame. I think the original shot would have had the field of view more centered on the girl, but the way it's framed is not that compelling. If the woman were shown a bit more, it'd be better, but this looks to me like a shot that got ruined when somebody walked into it, and a last-second decisoon was made to swing the camera to minimize the woman's presence, and that ruined the shot that HAD BEEN there.
ALso, the thing is, it's very backlighted, and the bald highlight emphasizes that, but the FACE of the girl, and her eyes, are rendered very flatly. To make this really compelling, the shadows need a very,very careful black point established, and then a VERY careful adjustment of the curves, to bring out some separation in the lowest tonal values and colors...this just looks like what people used to call "digital". The highlight brightness might have overly influenced the light metering, but no matter what, the most-important parts, the girl's face and eyes, are not rendered with enough SNAP...I can see it's backlighting, but the "feel" is not pleasing. If it had been shot on color negative film, it'd look better...that's the feeling I want to see on backlighted portraiture--detail in the shadows, contrast in the shadows, and a nice roll-off to the highlights, not clipped, detail-less high tones, the way digital does. As shown, the lower end looks crushed, compressed, way too much,. The shadows need to be opened up, and I would burn that brightest area waayyy down. Or maybe even crop it off.