Of course... the point of the tilt-shift is that the images don't get the distortion that other lenses would normally have. But they do take a bit of time to learn the "tilt" aspect -- but I don't think you'll need the tilt aspect of the lens. These lenses are ideal for architecture and landscape shots. e.g.:
https://flic.kr/p/b8C3xK https://flic.kr/p/b8C3mH That's just using the "shift" feature on the lens -- tilt is not necessary here (these are shot at f/11 -- there's no depth of field problem to worry about.) Incidentally... that was the TS-E 24mm f/3.5L II. All tilt-shift lenses are manual focus only (your hand is the focus motor) but the camera's focus points will blink for you when it thinks you've manually focused it correctly. One little tip I've learned.... the human eye does expect tall things to get narrow as they get tall. If you make the sides of a tall structure "perfectly" parallel lines then the eye gets a bit of an optical illusion as though the building is getting wider (even though it's not). So the guidance on these things is to make it parallel... and then just barely back it off so that it "looks" good to the eye (even though no longer technically perfectly parallel). And just because I'm into astronomy... that small little white "nick" you see just to the upper right of the white tower on this building... that's not a defect. That's the crescent moon.