mrca
No longer a newbie, moving up!
- Joined
- Mar 13, 2018
- Messages
- 872
- Reaction score
- 280
- Can others edit my Photos
- Photos NOT OK to edit
While you are waiting, take a look at this. This guy is pretty wild but he knows his lenses. Also take a look at his series on micro contrast. I wish I could go back and reshoot my b&w's that I didn't take with the 135, 100, 85 and 35. I NEVER use the 70-200 any longer in studio. If you are a stickler on image quality and don't just read testers who shoot test patterns not in the real world, you will see the same. When I put them side by side now, the difference is huge, including in studio. The tonal transitions missing on newer nikors that these lenses including my 85 1.4 g, render takes my b&w to a new level. On the d850 they rival if not surpass my mf film. You have heard of the "Leica look." It wasn't the camera and it certainly wasn't the film, it was the GLASS. This guy talks about why. First, low element count, then lead in the glass and incredible engineering. Many of my fiends that were grads of Brooks shot with Zeiss, I tried shooting the 135 in manual without using the arrows/meatball and had poor success. Using them with manual focus I nail focus when even less than half an inch 90% of the time. About the same as with auto focus because subject photographer forward backward movement sometimes just happens. And there is this interesting scale on these lenses not on gelded lenses, a focusing and dof scale. With the 35's huge dof, past of 10 feet, I just set at infinity and it's a lens I don't even have to focus or can set it for a range and keep subject in that distance range and not focus. Both are faster than ANY auto focus.