White on White with colors is used to illustrate a very difficult exposure, and I used this as an example of a DIFFICULT exposure, but the value is ALREADY KNOWN before the -=click=- occurs. the need for speed comes in the NEXT TWO images..!.... POSTED ABOVE not below.
I am sure you will agree on my point there. YES YOUR 100% correct. when looking at the first two images, there was no need for "speed" as an issue. but.. if something did happen.. I am PREPARED.. I know exactly what to do and the results I am going to get.. THUS... I only need one frame.. for that "composition" or creation I am trying to capture at THAT moment in time. of course I keep shooting.. "DIFFERENT".
Now if I am in say a forest with scattered light.. THE same thing applies.. you only have a very limited range of F-stops for the correct ev value based on your surroundings.. so 4 stops open and I am right where I want to be.. in COMFORT!
So lets go to different places and look at some images I dug up
taken 27 years ago.. Archive quality is impressive .. .. so far.!
Spirit Lake one week before the volcano Mt. St. Helens blew up.
In fact: when that volcano blew.. one week later, all the people in this location were killed!
this was not taken by me, but by a friend of mine who owned a mamiya RB 67.. he had no
idea whatsoever to do. He only knew one set of values 125 @ F 16 in bright sun distinct shadows
he knew what those words meant and that is all he knew... .. in the begining! Nice shot, but the computer
monitor doesn't do justice to the incredible sharpness and detail in the depth of field in this image. BUT for a "rookie"
it is a splendid example of how to shoot from the hip.
Lets go to the East coast on a partly cloudy day at the beach. I am sitting there camera with me of course and I see the lady in blue arranging her friends and she pulls out a small tiny snap shot camera.. I jump up and walk over and say.. Please.. put your camera away and jump into the photo and I will take your photo.. she hands me her camera.. I bring out my Mamiya from behind my back.. I said put that toy into your hand bag and let me take you a wonderful photograph.. no charge! I asked the gentlemen.. where can I send the finished images.. for free.. a place of work perhaps.. or to some friend perhaps.. i dont want your address but a place to send the finished prints.
She finally agreed & jumped into the image. I look all around me it is partly cloudy.. 125 @ 16?No.. @ f11 ? F 8 ! yes! -=click=-
Always one frame, if I have any doubts.. and at first I had many doubts. but then i fine tuned .. MY EYES.. to see, have I seen this before. this situation ? These images are beat up with folds kinks and dirt. but after 27 years.
Oh yes! Vericolor for EXACTING COLORS.. that Match the original!
I sent them a dozen 8x 10's! I am sure.. when they opened that package.. they were all smiles!
DONT be afraid to practice this. AND after you shoot a few rolls, of pure candid photos, your going to TRUST your eyes. based on what you have for images to INSPECT and LEARN FROM.