This thread is about "How to expose film"
PROPERLY
USING NO LIGHT METER AT ALL.
GRAB a roll of YOUR FAVORITE FILM.. I use Kodak only .. for a "reason"!
I had very bad expeiences when I tried using other brands, kits, etc to print color. I could NOT get
consistent results. and my thinking was/is
Kodak is perhaps the Oldest.. and certainly the best.. in MY opinion (only).
They produce & manufacture CONSISTENTLY.. film, paper, chemicals etc.
These products, when directions are followed to the exact details. PRODUCE startling results. Gorgeous Color.. everone today is "spoiled" with the digital revolution. I mean no offense. let me explain.
the technology you have now. today.. I first read about it in Camera 35 magazine in 1974 . and I was furious! when I saw that pic (illustration) of a computer a camera and a printer. -=click=-
I had to study and work work work and I failed miserably year after year afer year. 1969 -1973...Then .. I read a simple sentence! and EVERYTHING changed!
I have no reason to lie to you or to try and deceive you whatsoever.
I had a huge hobby darkroom. It was the size of a two bedroom apartment. 20' x 40 '
I put an add in the newspaper. Color Printing Classes, Learn how to Print your own color enlargments. 8 week class, one night per week, 200 $ paid in advance. when the student paid me 200$, I would hand them 8 rolls of film. Load one in your camera.. turn off your light meter, read the words in the package and do what that says only.. and go to a park or the beach or an open area and shoot one roll only!
INSTANTLY I had 25 students .. so I could practice my method of teaching. Each student went to my class only ONE NIGHT per week.
What did they get for $200 ? About 60 8 x 10's color 20 11 x 14 color & 5 - 16 x 20 color enlargments.. well worth the price!
I now have $5,000 to "play with"
Kodak Paper by the case(s) and EP2 & C-41 chemisty from Hunts.
Ten cases of paper..10 cases of chemicals in 3 1/2 gallon sizes.
A couple of "bricks" of vericolor film" 35mm for the students. I have 5 different students, 5 nights per week.
After the third class.. they dont even need me in the darkroom any more.
they know what to do; and why to do; what they are doing!
Now you can step back.. in time and come to my school.. for free.
I don't want your money. I want you to THINK. about what I am taking the time to put here for a "REFERENCE" to LEARN.
so with the same words; I say to you.. here.. (a roll of film) go outside..
THIS IS DAY ONE: lesson one. GET OUTSIDE in the sun. and take CLOSE UP photos fill that frame with detail..and use 100 ISO for this test.
I personally use 250.. shutter speed because I know from experience..THAT I CANNOT hold my camera steady at that shutter speed, (125) BECAUSE I am using a Mamiya RB 67 with a 360 mm tele lens.. ! I have to use 250 for a shutter speed. You can use 125 or 60 or even 30 maybe ? I can't or wouldn't attempt it.. BECAUSE I want Razor sharp AS MUCH "dof" as possible.
so go out and snap, create, take photos, compose images whatever you want to call it.. go -=click=- ! all over the place.
and take notes.
how else are you going to REMEMBER every light situation you encountered.
As you move the camera up to your eye. and LOOK.. is it darker / lighter than my surroundings ? open or close to suit what you SEE. just one stop.
are you casting a shadow when you move in close ? pay attention. if there is a shadow.. that you cast.. open 2 stops. or 3 THIIS IS PRACTICE ONLY. this is your first roll. LEARN TO LOOK OPEN / CLOSE that aperture based soley on what you see. in that VIEWFINDER. but you should already know.. before you get that camera up to eye level and adjust that f-stop ring either 250 @ F 11 or F 16 or F22 or F32.. NOW.. THERE are only so many combinations here to work with on this side of the Aperture ring.
and we know or should know that we will not be using 22 or 32
not when I am using 250 for a shutter speed. I keep my shutter constant.
so with 11 being the center starting point we can open two stops
and close two stops on the other side of the center mark or point of F 11 to include F 8 and F 5.6
5 f-stops, ONLY FIVE! we are still in the sun.. shoot into the sun.. 5.6 I Know that from EXPERIENCE. YOU WILL LEARN the same things as my students did.
ONE THING I will never ever understand... and I mean this with all sincerity. with over 200 students.. how come those students that had MINOLTA cameras.. their photos were
far superior to anything that anyone else was using. ?? Every camera brand was used with the exception of Leica. I will never ever understand why!
I have stated 125@ f16 is Ev 15 = 100 ISO
250 @ F11 IS SAME EV different depth of field only.
These are the two settings you will probably be using in the field.
and we all can agree I think. that only 3 things happen when you press
that shutter. too dark, too light perfect!
now you approach something.. anything.. it is in the sun.. you move in closer to crop and is THAT SUBJECT lit from the front? the side ? if that subject is BACK LIT you have to open to 5.6 (starting point)
FRONT LIT. side lit casting shadows.. -=click=- that was my exposure when i saw this lady.. I only had a split second to capture this moment
As I am brining up my camera to expose ONE FRAME OF FILM ONLY. I notice the VALUES SURROUNDING HER. and I open one full stop 250 @ f8
-=click=-
http://majikimaje.com/read3.JPG
I HEAR SOME NOISE, I turn around I am looking into brighter sunlight, INSTANTLY I CLOSE ONE STOP. I am always watching the values all around what I am going to crop & compose. -=click=-
http://majikimaje.com/twins2.JPG
It was
after I clicked the shutter, that I contiinued to stare at those two women, through the viewfinder. What am I looking at? am I seeing double? blink blink! ha this is funny.. what a pose.. to catch two people in.. split second timing -=click=- I followed those women around for hours. at a great distance. As they walk into the shade I open 2 F-stops and look, they walk back into the sunlight.. close 2 stops.. I am ready.. FOR ANYTHING TO HAPPEN... ! I only expose.. one frame of film for each composition, or creation, or image.
YOU will make mistakes, I did, many of them. UNTIL I learned how / when.. to open that aperture, or close it.
VERICOLOR film will cut down on your mistakes BIG TIME. it is a wonderful film for vibrant " EXACTING COLORS".... that MATCH the original subject.
Those are Kodak's words.. not mine! -=click=- 250 @ F 11
http://majikimaje.com/AapaNAakaweb.JPG
I OPENED one stop because of the grass.. if it had been snow I would have closed one stop. If I move in very very close I will open another stop. only one frame of film was exposed for this VERY IMPORTANT photo.
A Pastor and his Wife. the two oldest living people in the village of Point Hope! Donald & Lilly Oktollik
My sons.. GREAT.. greandparents! 1990 I wish you cold see this 40" x 60" print that was made from this negative. "gasp"!
Oh yes! the heading of this post ?? ?? I will tell you the whole true story of this
incredible discovery at the END of this thread!