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You can also cap your max ISO at a range you're comfortable with.
tirediron said:Nay! ISO is the one parameter that, IMO, should NEVER be set to Auto. There's nothing wrong with using Auto exposure if the occasion calls for it, but the dange with Auto-ISO is that it can drive the ISO up to an undesirable/unusable range without the photographer noticing. Granted, like every "rule", there are exceptions, but for 99.999% of work, choose your ISO yourself.
I don't agree, the camera will only drive the ISO to the limit you set, so if you've tested your camera and know the ISO limits, the camera won't drive the ISO any higher than you yourself would drive it. So the images are no worse than if you setting the ISO yourself.
Nay! ISO is the one parameter that, IMO, should NEVER be set to Auto. There's nothing wrong with using Auto exposure if the occasion calls for it, but the dange with Auto-ISO is that it can drive the ISO up to an undesirable/unusable range without the photographer noticing. Granted, like every "rule", there are exceptions, but for 99.999% of work, choose your ISO yourself.
I'm curious, OP, what sort of work are you doing where you are faced with such dynamic conditions and so little time to prepare for a shot?
Why indeed? One of the things I think you might be over-looking is the fact that "perfect" exposure is not necessarily the right exposure. Just because your histogram is a perfect bell curve, does not mean that it's the ideal exposure for the scene.Why make it harder than it has to be?
How well AUTO ISO works is dependent upon the implementation of the feature and the user's understanding and experience WITH using AUTO ISO. For many generations of cameras, Canon cameras had no AUTO ISO, and then a very primitive incarnation of it. As I understand it, the new 5D-III is the first Canon to come close to the Nikon implementation. Pentax has long had a superb AUTO ISO implementation. Nikon introduced AUTO ISO with the D70 back in 2004, and it has grown more and more capable. The thing that makes AUTO ISO more useful than ever before is the increasing use of slow, variable maximum aperture lenses among users who want to shoot run-n-gun style on family/candid/street/documentary/action subject matter; with slowish zoom lenses, one can EASILY "run out of f/stop" when a subject merely slips in to a shady spot. With a 70-300mm f/4.5~5.6 VR Nikkor for example, the maximum f/stop if f/5.6 at the longer focal lengths...if one spots a subject in a shaded area with that lens on the camera, the shutter speed can easily drop from 1/500 second in the sun to 1/8 second in a shaded doorway or on the "other side of the street"...there simply *is no other way* many times to gain shutter speed except by elevating the ISO.
If the camera has a capable AUTO ISO system, it makes sense to use it. But then again, one needs to know "how" to use it. With the rise of sow-speed consumer and pro-sumer level zoom lenses topping out as low as f/5.6 at maximum aperture, AUTO ISO has never made as much sense as it does today. And now that the better cameras allow shooting between ISO 100 and ISO 800 with almost no visible penalty, it makes more sense than ever. With the better FF cameras shooting well at up to and including 3,200, AUTO ISO has become another useful tool for those who have the smarts to actually understand how and when using it can offer a significant advantage.
Okay, I understand your rationale; not really sure that I agree with it, but I understand it....Okay, for example taking pictures at someones birthday party or a wedding or at a concert. Having to constantly run inside, or run outside, even inside, always turning the lights on and off, outside could-sun-cloud all the time. The exposure settings change like no other and I am having to spend more time readjusting my camera settings than actually shooting...