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My plan is to get a 6d and keep my 50 because the full frame will make it more of a 35mm which might be an easier mm.

Cheers

:biglaugh: How the hell will it make it like a 35mm when it is 50mm :biglaugh:[/QUOTE]

Come on Gary keep up - we are talking comparative fields of view.


I mean back in the yea olden days of digital everyone was doing it 35mm to crop - now the newer generations of photographers are doing it crop to 35mm.

And the medium and large format guys are still out in the sticks on their own
 
My plan is to get a 6d and keep my 50 because the full frame will make it more of a 35mm which might be an easier mm.

Cheers

:biglaugh: How the hell will it make it like a 35mm when it is 50mm :biglaugh:

Come on Gary keep up - we are talking comparative fields of view.


I mean back in the yea olden days of digital everyone was doing it 35mm to crop - now the newer generations of photographers are doing it crop to 35mm.

And the medium and large format guys are still out in the sticks on their own[/QUOTE]
50mm is 50mm no matter what camera you put it on
 
Yes but we are talking comparative angles of view or fields of view or whatever that view term is that people compare things to ;)
 
Yes but we are talking comparative angles of view or fields of view or whatever that view term is that people compare things to ;)
It still does not turn a 50mm into a 35, I will be shooting my 35 and 50 in London this weekend maybe I should just take my 50 if it will turn into a 35 I only need 1 lens
 
It still does not turn a 50mm into a 35, I will be shooting my 35 and 50 in London this weekend maybe I should just take my 50 if it will turn into a 35 I only need 1 lens

Awesome, got it. We all understood and you are having a hard time reconciling it, no biggie. But if you don't have anything worthwhile to contribute then why even post? </done>
 
I lose at the Internet today. Didn't recognize the juvenile troll even though it clearly presented itself as such. :BangHead:
 
Lots of fun things to do with the strobes firing. Stop down the lens a bit, open the shutter for a few seconds and get some multi-exposure looking shots. Or set f-stop and shutter speed for the strobe as if it was a flash firing. Try tripping the shutter very fast...........................
 
Denny's got a good idea there.. Use the erratic and unpredictable lighting to your advantage and make some images with long exposures where the subjects are surrounded by swirls of lights or the strobe has created a stepped image of a dancer pulling off a sweet move.
 

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