Wow... miss a day, miss a LOT.
I'll put in my thoughts. First, I'm never happy about entering into a serious discussion with someone who is anonymous. I don't know who you are, Tally Ho. I dont know where you work. I know nothing about your background and accomplishments. I don't even know your name. This makes it impossible for me to take much of what you have to say seriously. I prefer you stand in the light.
The way you have presented yourself and your work for viewing/critique does invite a challenge. There are others here familiar with the "rules" to which you subscribe. I learned these same rules more than twenty years ago, attending seminars and such with folks like Blair, Kennemer, Zeltzman, Collins, Zucher, and so on. I try to apply these rules to my work. As a result, I feel my work has become a bit antiquated. Saleable, sure... but stagnant. We all have to move beyond these "building blocks" of portraitue if we want our work to evolve. I'm learning some new approaches here. Come down from the soapbox for a while. You think you'll be surprised.
Now, in your defense, I think we've all heard the phrase, "Remember to be good before we remember to be different." These compositional rules are important... just as technical rules of exposure are important.
Another familiar quote is, "It's not creative unless it sells." No one knows this more than the photographer who is trying to eek out a living in a studio. No matter how happy we are with our recent accomplishments, if it's not selling, you're not eating.
Your work is consistant, and in a real world application, certainly up to par. Lighten up! If you're here to show us how good you are, you're in the wrong place. Try the PPofA. If you want to share what you've learned and get some impute from others, change your posture... because you don't come off thay way.
-Pete Christie