Bokeh is of course decided primarily by the optics, and hardly by the aperture at all.
For example you cant get swirly Bokeh like that from a Petzval lens with using any kind of aperture.
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Especially the aperture only matters if you stop down. Wide open all apertures are perfectly round anyway. And if you stop down, yes then the aperture changes how the Bokeh looks like, but primarily this affects the look of the Bokeh balls. Catseye Bokeh as from the Nikkor 105/1.4E are however not caused by the aperture, but again by the optics.
The Nikkor 105/1.4E is possibly the only lens ever that can literally give me seasickness with its especially ugly variant of Bokeh. It has some swirlyness to it like a Petzval, but the effect is not clear enough to actually turn into a real effect, it just makes me uncomfortable. I also dont like anything else about the output of that lens either. No idea what the people who designed this lens though. "People only care about sharpness, lack of CAs, and autofocus speed, lets make a lens that does exactly that ... and absolutely nothing else" ? As lensrentals has shown, its also pretty cheaply made, too.
The best bokeh from a Nikkor, well, theres a TON of candidates for that, and ultimately Bokeh is about personal taste, subjective. And given the situation, a lens with a very unique Bokeh, like a Petzval, a mirror lens, a trioplan can be used for great effect. As a general rule of thumb, however, I prefer the painterly background you can get from something like an AF 105mm f2 DC.