- Joined
- Jan 11, 2015
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- 502
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So my wife needs some head shots for her business and I decided to give it a go and practice on her before attempting the entire staff. I certainly don't want to waste everyone's time.
I would like some constructive criticism but have never done head shots or portrait photography before so please don't be too hard on me.
I showed my wife some different lighting styles and she really liked the high key clam shell style so that's what I went with. All three examples below were shot with 85mm, f/5.6, iso 100 on a Canon 6D using three speedlights and a white bed sheet for the background.
A couple of my own observations. How do I fix this?
1. Not enough background separation from the hair.
2. Weird light cast on the back of the shoulders.
The sheet came right out of the packaging and was supper wrinkly so I really had to blow out the background big time to git rid of the weird texture created by the wrinkles. As a result I think my background was acting as an unwanted light source on the subject. Maybe I should have moved the subject away from the background a bit to get rid of some of the light being cast on the back of the shoulders and hair, or maybe I just need to iron the sheet and use a bit less power on the speedlight?
Please let me know how I can improve and what I did right.
Thanks for you time!
1.
Headshot2 by Kristian Algra, on Flickr
2.
Heahshot1 by Kristian Algra, on Flickr
3.
Headshot3 by Kristian Algra, on Flickr
I would like some constructive criticism but have never done head shots or portrait photography before so please don't be too hard on me.

I showed my wife some different lighting styles and she really liked the high key clam shell style so that's what I went with. All three examples below were shot with 85mm, f/5.6, iso 100 on a Canon 6D using three speedlights and a white bed sheet for the background.
A couple of my own observations. How do I fix this?
1. Not enough background separation from the hair.
2. Weird light cast on the back of the shoulders.
The sheet came right out of the packaging and was supper wrinkly so I really had to blow out the background big time to git rid of the weird texture created by the wrinkles. As a result I think my background was acting as an unwanted light source on the subject. Maybe I should have moved the subject away from the background a bit to get rid of some of the light being cast on the back of the shoulders and hair, or maybe I just need to iron the sheet and use a bit less power on the speedlight?
Please let me know how I can improve and what I did right.
Thanks for you time!
1.
Headshot2 by Kristian Algra, on Flickr2.
Heahshot1 by Kristian Algra, on Flickr3.
Headshot3 by Kristian Algra, on Flickr

Headshot2.2