I know about the price of vintage film cameras. I began chopping them for the lens five years ago and my first donar lens camer was $4 plus $7 shipping. Now that same camera is 35 plus shipping.
I build on polaroid frames, the old roll film with the good glass have jumped three or four times their value five years ago. Even the 80 series that is almost pure nothing is starting to climb. NObody is using them, and they have minimal display value, in the condition most are in, but climb in price they do.
As for digital, I actually bought a couple of high end digis just before I closed the business. I was just trying them out for my son in law who took over from me. I convinced him to sell his med format and buy digital three years ago. He loves the nikon d200 and the 100 before it. So Im not anti digital just for me it isn't an option I am shooting pure retro.
But if i need a picture for
ebay, I sure as heck dont load a film holder and process a black and white negative then tint it. Heck no I take the old fifty buck five mega pix and shoot the darn thing. That is after I put the monocle on the camera so it can shoot a decent close up.
No I totally think that for a working studio pro a digital is the only way to go. I can feel that and still think my retro makes better period and black and white prints. A retro camera shouldn't shoot like a digital and the pictures shouldn't look like they came from a computer even if they do. Besides I look great in a double breasted suit and panama hat.