A CPL is the most useful filter in the digital era. It still does things that we can't do in post production.
Depending on what type of photography you like to do, an ND filter may or may not be useful. I have one, the only time I really use it, is when I need longer shutter speeds to blur moving water.
Waterfalls ~ Mike Hodson Photography
A graduated filter can be handy, although you can (within reason) easily replicate the effect in post. The main benefit, of course, is to compress the dynamic range of the scene so that the camera can capture more detail (better exposure) in a single shot. That certainly is a big plus, but these days, it's not hard to just take multiple exposures and blend them in post.
And the one major problem with grad filters, is that the gradation is always flat. I like to shoot mountains, so to tone down the sky, I'd also be darkening the mountain above the horizon.
If you do want to get a grad filter (or two), get square ones. The circular ones are all but useless because the grad is always in the middle. With a square one (rectangular), you can slide the filter to where it matches the composition of your choosing. There is usually a filter holder system for square filters, but many photographers just hold the filter over the lens.