lambertpix
No longer a newbie, moving up!
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One thing to think about is the number of leg sections. The FEWER leg sections, the more stable the tripod tends to be, in my experience. A two-section tripod is often exceptionally stable, and quick to set up because, well, there is only one set of three leg locks to unlock and lock. That makes for a very long tripod when it is collapsed. A four-section tripod on the other hand, is very short when collapsed, and is easily stowed in a small place, or carried inside of a compact case or bag.
This can also be a factor when you carry the tripod. When I'm hiking, for instance, I usually clip the tripod onto my pack or belt somewhere I can reach it without dropping my whole pack. The couple of times I tried this with a three-section Induro tripod, it was banging against me the whole time I was hiking. Not pleasant. My four-section 190 isn't perfect, but it's much, much better.
Three-section tripods are a compromise, and where the majority of "the action is" these days. For use in a studio, I greatly prefer a two-section tripod. For hiking, a four-section is most compact, but it's also a PITA with so doggone many legs to unblock, extend, then lock, and major height changes will often require six leg locks to be manipulated and fine-tuned.
True; hence the recommendation to figure out which kind of leg lock the OP prefers -- it's bad enough to have to fiddle with them at all, let alone to be cursing the whole time that you hate twist locks (or vice-versa).
Another thing is how high and how low the tripod will go.
There are tripods optimized for studio use, general use, and for hiking/mountaineering. The best tripod for any one of those three uses is not the best for the other two uses.
Absolutely. I'm generally really happy with my 190, for instance, but I've certainly run into cases where I wish it reached a little higher.
Great points.