The existence of this thread disproves part 1 of the declaration.I am going to make a sweeping declaration.
No one cares what mode you use nor does the mode make the photo.
I have many photos that were made by the mode.
What? I wasn't treating it literally.Don't be obtuse, it's not a literal statement.
When I first got a DSLR I went crazy trying the various modes and settings attempting to center the needle by cranking the shutter speed, aperture and ISO hither and yon. It was ALL a total waste of time, for me at least. Once I went to manual, set the shutter speed and aperture then let the camera control the ISO things got real simple and I started getting good photos. As for the comment about not getting many keepers when shooting manual, I recently shot 4,000 photos of the Smithsonian Museum of Nature History and 1,000 photos of the Smithsonian Indian Museum. I would say at least 99% or more are keepers. Occasionally I will duplicate a shot by turning on the flash. That's usually because of reflections. So obviously I discard one of them.
While it's nice to explore all the various features of any technical product or gadget, that by no means requires one to use the various features that are available. For example, my 7D has all these features:
8 frames-per-second capture of high-definition
Dual Axis Electronic Level and tilt display
Captures bursts of up to 126 JPEGs (large) when using UDMA CF memory cards, or 15 when shooting RAW files
White balance modes Cloudy, Custom, Daylight, Flash, Fluorescent (White), Kelvin, Manual, Shade, Tungsten
Picture styles Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3
It's nice to have all those choices because someone somewhere might need them. However I have never used any of that stuff and probably never will. A picture style of faithful with auto white balance gives me all I require. I don't shoot photos in controlled situations much. I don't shoot portraits, weddings, or any place where I have any control of my surroundings. My shooting is outdoors at wildlife, in zoos through half inch highly reflective Plexiglas or wire fences, aquariums through highly reflective Plexiglas or in museums through highly reflective Plexiglas.
But what they do is shoot in manual mode, set the aperture, and then dial the shutter speed until the camera light meter said it is at "0". And in the next scene, they point the camera to the subject and then dial the shutter speed again so that the light meter is back to "0".
I am going to make a sweeping declaration.
No one cares what mode you use nor does the mode make the photo.
And no one cares. A photo speaks for itself or it does not. The mode is nothing but a tool.The existence of this thread disproves part 1 of the declaration.I am going to make a sweeping declaration.
No one cares what mode you use nor does the mode make the photo.
part 2 is easily addressed by anecdotal evidence: I have many photos that were made by the mode. Most especially, dramatic action photos of things that happened suddenly and without warning while I was photographing other stuff. Car crash in action, random hummingbird that's only there for 20 seconds, group of parkour people running past you suddenly, etc.
I am often only able to get photos of things like that, because I have one of my custom modes set to all action parameters, and Tv mode. So even if I'm in the middle of taking a landscape, if something starts to go down, I just click click to Custom Mode 1, point, and shoot, and it usually turns out, within 2-3 seconds. Completely impossible to even consider doing that in full manual mode.
...I find what has happened is that it is getting more difficult to learn and understand all the functions that are being added. I would end up wasting more time sorting things out than I would shooting, for me personally I'm quite happy with my understanding of manual. Honestly I have been frustrated at times just trying to find things on any new cameras I buy. It really used to be so easy.
The site is full of wise guys...not to be confused with Wisdom.
I shot 100 photos of downtown yesterday at 12:30 am at night. I made a couple changes to my settings but other wise the settings stayed the same. There was no need to change and the auto mode would have been all over the place completely ruining the shots.
? For night shots, you just set it to a broader metering (not spot metering, because it lands on a lamp and ruins everything, but anything broader is fine), and dial in maybe -1EV to -2EV compensation, so that it doesn't try to make it look like daytime when it's not, and it works just fine on auto, in my experience.
In fact, photographing downtown areas is likely to be a little sketchy when left in manual with no settings changes, because the lighting is varying dramatically from full nighttime storefronts with neon to alleyways with one bare bulb 50 feet away. Were you shooting a bunch of the same sort of thing?


Grafxman, do you not think that Auto ISO is also an auto mode?
FTFY. Photographers do and indeed must care about their tools.And no viewer cares. A photo speaks for itself or it does not. The mode is nothing but a tool.
Ah well yeah. That basically makes it a studio with flash lighting, then, in which it wouldn't make sense to use anything other than manual. Regular downtown street photography at night though works fine in auto modes, probably much better than manual when constantly moving from neon light to sodium lamps to moonlight to whatever else every single shot. You can just shoot instead of fiddling each time.I was shooting a Lightning storm over downtown and why I left the settings locked in place with the exception of a few changes.
???Grafxman, do you not think that Auto ISO is also an auto mode?
Yeh, but you have to go to manual mode to get it.![]()
Ah well yeah. That basically makes it a studio with flash lighting, then, in which it wouldn't make sense to use anything other than manual. Regular downtown street photography at night though works fine in auto modes, probably much better than manual when constantly moving from neon light to sodium lamps to moonlight to whatever else every single shot. You can just shoot instead of fiddling each time.