I like the light toward the front, but I think the rear of the car needs a bit more light. The tree intersecting with the car is unwanted there. Needs a bit more margin at the bottom of the frame, and a bit less on the right side.
I agree - the light is a bit uneven. I don't mind shadows but the right half just feels a bit flat. And I also agree that there should be a bit more space at the bottom of the car. I'm fine with the spaces on the right and left and the tree doesn't bother me.
Yes to what was said above by both limr and Deisgner. Also the vignetting seems a bit heavy. On the plus side, I really love the perspective, color palette and depth of field that you've got. I think you can fix all of the other issues in post with some dodging and cloning. If you re-edit would love to see it.
If I'm being really picky I'd have left a touch more room at the bottom of frame, the bumper it just a wee bit to close to the edge of the frame. The sky is a bit bland, but I do think you get away with it due to the colour change. The blue on the car looks a bit warm, so it makes me wonder if there's a slight colour cast. I'd also dodge the car in post
Having a bit less angle, so that the front of the car was turned more clockwise as we see it would have presented the car better in the frame. The comments above I agree with. Nice whip!
Some real good tips guys cheers BTW this is two images ive made into one as the car image was taken at a car show and we all know how hard it is to get a good angle without people, ropes, polls or other cars and things in your shot oO
I was wondering why the tires have not a spot of sand on them.
I just figured someone spent quite some time cleaning up the tires front and back in addition to clearing up the tracks.
Would still like to see a bit more light/detail on the left side of the car. I think the fact that the beautiful color of the sunset is only on the left side of the frame is what's getting me. The left half of the frame is so colorful and detailed that it's just overpowering the comparative dullness of the right half of the image.