I however, don't see any ramifications in doing free work for people or for a small fee that will get me from point a to point b
There's absolutely nothing wrong with this, but the advice from this thread remains: know what you're getting into. If only for the ability to tell people what they should expect.
Let me relay a bit of a personal story. I joined TPF after owning my camera for a while. I knew what all of the modes did, I'd read
Understanding Exposure, I knew how to get a decent exposure. I'd been told by friends, family, and even people I didn't know that my photos were good. I had an 'eye' for photography, I had people offer me money to do pictures.
The pictures I was doing from that time frame I can now barely go back and look at. They're painful.
TPF made me realize two things -- first off, it knocked me down a notch. I didn't come out guns blazing and all but the good, honest and sometimes harsh feedback brought me down to earth. The second thing I realized is that I'm not going to be there every time my image is viewed. I'm not going to be able to say 'That 8x10 headshot? Yeah the sun was hidden behind some clouds and there was this drainage thing off to the left that was impossible to photoshop out, and the focus on the eyes was a bit blurry because Bob's dog kept bumping my tripod.' Your images have to stand on their own or, at best, they must stand up with only a title to rely on.
So I improved without taking anyone's money. I laughingly told someone the other day that i think you make it to at least 'competent' here when your images get few if any replies. This generally means that the technical aspects are correct, the composition is probably text-book correct, but your images don't have anything that makes them stand out from the crowd. The beginner's forum posts get a lot of feedback either of the encouragement variety (which has its uses) as well as a lot of criticisms of the technical. The professional galleries when the images are outstanding get replies with the nit picks, the things that often only photographers will care about. Then the other images that are mind blowing often get ample praise or even questions of technical nature trying to eek out of them how they managed to accomplish this or that.
If you post images for criticism and you get virtually no response, you've either made it to a significant comprehension level in regards to photography or you've pissed everyone off!
After I had been here a while, I considered the weekend-warrior thing and trying to make a dime. I've had "hobbies" before that have either paid for themselves or made me some cash on the side. I looked at what my skill set could accomplish and then I saw the outrageous prices for head shots on pro photographer's websites. $50? $70? $100 for a single headshot or maybe 2 poses. I could undercut that!
Those threads had something, though. My livelihood isn't dependent on photography whereas many photographers in the area base a huge amount of business off of headshots for businesses or actors or such. Two things are going to come out of that -- I'm never going to be able to bump my prices up to those levels (or I'm going to find it difficult later on) and I will never, never get any help from the community of photographers. (Which, as an aside, the jerks are few and far between. All but one of the photogs I've met have been willing to share their experience.)
So maybe I price them to my skill level, but still within the realms of industry expectations. Either that or I should hold off until my skill demands those types of rates.
I waited. In fact I made my first sale of an art print to someone nearly wholly unknown to me and I wouldn't have sold that print had I not felt comfortable knowing that it will go through life without title, explanation, or whatever, hanging on someone's wall. And now I'm tiptoeing gently into being a part time professional photographer, careful not to extend my boundaries to where I'm uncertain I can go. Had I not stopped, had I not been stopped, in my tracks by the sometimes harsh tone of threads here, I'd have been in bad shape.
And herein lies the crux of this story applied to the general. The person that does a friend's wedding as a favor, then another for someone who can't afford it, gets it in their head that they can do this as a weekend-warrior gig for pittance. Can amazing things happen? Maybe. Will the customers be happy? Maybe. Will this happen with everyone that asks? No. But then again, we're photographers. We warn everyone. We mitigate the risk! (

) The risk of disappointment, both for the photog and the customer is high, though, even if you discuss that risk ahead of time.
More dangerous yet, are the more-than-competent weekend-warriors and part-timers who can probably provide at least competent level service who are undercutting the pros by thousands of dollars. Yes there's a market for $200-wedding photo gigs, but at some point, you're basically loss-leading them to the point that the businesses can no longer sustain. Wal-Mart makes good use of this in new markets. Whereas its completely within your legal right, it's then that the issues of morality and ethics comes up in regards to business. If you do the one-off event gig for $200 frequently enough that it cuts significantly into the business of the full timers who charge 10x that, they'll need to find something else to do. They stop doing the event-type gigs, and either you need to raise your rates because demand is up (at which point people will undercut you) or the customers will be left out in the cold with no one to pick up their jobs. The inexperienced rarely ever thinks of the potential customer.
For those jumping in without too much foreknowledge of business, it is in your (and the industry's) best interest to price what the market will bear for the product you are offering. There's a lot of room to move in that.
Sorry for the exposition!
