TakeTwo66
TPF Noob!
- Joined
- Aug 30, 2011
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- Location
- Manila, PH
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I've used the same combination (D700 + 70-200mm VRII + monopod + tilt head) to shoot gymnastics at a practice stadium, with half the lights off. (No flash photography allowed as well). To freeze motion, I waited for the movement to peak (or where it stops momentarily) - and shot wide open at ISO 5000. I mounted a motor, and shot on high - just to increase the chances of getting sharp keepers.
I was actually pleased to see that the pics were more than acceptable for my purposes (small prints, up to 8x10). I would think twice about going more than 11x14" on these without judicious Photoshop PP though. As it was, the noise was easily corrected even just through Lightroom.
In fact, since I was shooting jpegs, I was more concerned about getting the White Balance right - as the lights were a mix of 'daylight' balanced Mercury and Metal Halides. Skin tones were 'Martian' at best, and had to custom WB via a white balance cap.
I've also used the same set up at weddings (including the monopod) with an older 80-200 AF-S (no VR) - and was happy to ditch the 'pod when I got the VRII (unwieldy).
With the 70-200mm VRII, the focusing was much quicker, more accurate -- even in dimmer light. I didn't have to override the focusing at all. Couple that with the nice high ISO output of the D700 - I think you should do fine. Again, unless you're making a 12x18 single prints of the ceremony shots, the noise is manageable. I imagine even with a 12x18 album, your images would be collaged anyway?
If the interior's ambient lighting is bright enough to read (and I guess it will be), then your combo should do fine. Of course, YMMV - and the best bet really is to recon the site before the event just to be sure?
One suggestion though, if you're spending for the monopod + head, you may want to get an Arca-Swiss type QR plate instead of the usual square ones. I found this out the hard way, shooting and moving with the pod attached. The Bogen/Manfrotto square plates that come with tilt head move around too much. Even after tightening the foot down to enough to crimp the cork bed, the foot ultimately moves as it loosens - especially if you pan a lot.
I ended up with a Kirk enterprises Tilt Head and a Kirk lens foot that dovetails into the head clamp. Much more positive.
HTH
I was actually pleased to see that the pics were more than acceptable for my purposes (small prints, up to 8x10). I would think twice about going more than 11x14" on these without judicious Photoshop PP though. As it was, the noise was easily corrected even just through Lightroom.
In fact, since I was shooting jpegs, I was more concerned about getting the White Balance right - as the lights were a mix of 'daylight' balanced Mercury and Metal Halides. Skin tones were 'Martian' at best, and had to custom WB via a white balance cap.
I've also used the same set up at weddings (including the monopod) with an older 80-200 AF-S (no VR) - and was happy to ditch the 'pod when I got the VRII (unwieldy).
With the 70-200mm VRII, the focusing was much quicker, more accurate -- even in dimmer light. I didn't have to override the focusing at all. Couple that with the nice high ISO output of the D700 - I think you should do fine. Again, unless you're making a 12x18 single prints of the ceremony shots, the noise is manageable. I imagine even with a 12x18 album, your images would be collaged anyway?
If the interior's ambient lighting is bright enough to read (and I guess it will be), then your combo should do fine. Of course, YMMV - and the best bet really is to recon the site before the event just to be sure?
One suggestion though, if you're spending for the monopod + head, you may want to get an Arca-Swiss type QR plate instead of the usual square ones. I found this out the hard way, shooting and moving with the pod attached. The Bogen/Manfrotto square plates that come with tilt head move around too much. Even after tightening the foot down to enough to crimp the cork bed, the foot ultimately moves as it loosens - especially if you pan a lot.
I ended up with a Kirk enterprises Tilt Head and a Kirk lens foot that dovetails into the head clamp. Much more positive.
HTH