Chamelion 6
TPF Noob!
- Joined
- Oct 30, 2010
- Messages
- 236
- Reaction score
- 1
- Location
- Texas
- Can others edit my Photos
- Photos OK to edit
I think of myself as the "artsy" type. Whay back when I was all caught up in the technical side of photography but looking back on it I don't think that obsession really led anywhere but frustration. I think it's important to be proficent enough to produce the images in your head; to get the camera to produce what you need to get where you want to be visually.
I think all to often there is a huge over emphasis on the technical side of things and that just leads to blah cookie cutter immagry. CC's tend to be, "Whites are blown, focus is soft, horizon isn't level..." Even compositional discussions wind up being a stale rehash of of the rules. If you only know the rules and compose every shot by them then you're not really "seeing." If you lay out 10 photos and 9 of the 10 are perfectly composed and exposed and the 10th is a little off and the composition is a bit skewed most people are going to be attracted to it and will often pick it as the most interesting or best. Why? Simply because it's different, it's flawed and people are drawn to that. The flaws make it interesting and approchable. That's not to say bad images are better, but rules are a means to an end.
If you wanna start producing art then you gotta learn to SEE it. Put the composition books away, forget the rules (at least for awhile) and go to a museum. Look at the art, just absorb it. Get photobooks by your favorite photogs and just absorb them. Just learn to see them. Enjoy them. All the rules are in those images and well as when and how to use them and when not to. Your brain will begin to make those connections and those shapes and forms will begin to imprint.
I think all to often there is a huge over emphasis on the technical side of things and that just leads to blah cookie cutter immagry. CC's tend to be, "Whites are blown, focus is soft, horizon isn't level..." Even compositional discussions wind up being a stale rehash of of the rules. If you only know the rules and compose every shot by them then you're not really "seeing." If you lay out 10 photos and 9 of the 10 are perfectly composed and exposed and the 10th is a little off and the composition is a bit skewed most people are going to be attracted to it and will often pick it as the most interesting or best. Why? Simply because it's different, it's flawed and people are drawn to that. The flaws make it interesting and approchable. That's not to say bad images are better, but rules are a means to an end.
If you wanna start producing art then you gotta learn to SEE it. Put the composition books away, forget the rules (at least for awhile) and go to a museum. Look at the art, just absorb it. Get photobooks by your favorite photogs and just absorb them. Just learn to see them. Enjoy them. All the rules are in those images and well as when and how to use them and when not to. Your brain will begin to make those connections and those shapes and forms will begin to imprint.

. I wonder if it would help to just find a friend in the art community and see if they can rub off on me a little. Figuratively speaking... :er: