terri said:
That's to remove the handle. There are all kinds of groovy things you can do with this little camera, I am discovering.
Yeah, me and Ed figured that out while I was out dropping off the roll of film I shot with it this afternoon. Unfortunately, Ed no longer has his machine calibrated for 120 film--or maybe just not the Fuji film I used. I'll have to ask. In any case, I'm not going to be getting prints; I'll have to go to Dothan to get it done. Naturally, my enlarger only handles 135 format and smaller film, so I'm not gonna be able to print the negatives myself, even if they're BW.
As for the camera, I think I finally know what all the little levers, switches, and buttons are for. Lots of stuff on this camera.
Charlie: I dun't wanna do digital! :whine: I'm all about the analog thing. Plus, my scanner doesn't do film very well--even the TMA it has built in is lousy (and designed for 35mm only). I suppose I could make ittty bitty contact prints and scan those... but that's hard to control. I've recently realized that in the past, all my work has been intended (if subconsciously) for the web; now, I want to shift my focus to creating prints worthy of hanging on the wall, with web display as a secondary intent. IE, rather than scanning a print and tweaking it in The Gimp until it looks good, working directly with the negative and enlarger to get a good-looking print, then scanning that, making simple adjustments to make the online version look like the real thing.
I'm planning an enlarger for the 4X5 format, to take it to 8X10 (maybe more). My next woodworking project. It'll likely use the same lens that the camera does. I mean, after all, it's gotta be the right focal length, right? Perhaps not the highest-quality system, but it'll do until I can afford a real enlarging lens, and maybe it'll introduce some of that retro feel from the lesser-quality optics.
Anyway, food for thought.... I'll quit, cuz I don't want anyone to get mental indigestion..