The last one is quite startling.
I don't know where the light on her eyes is from, which is incongruous, but it's so absolutely right that I don't particularly care where it's coming from. To me this is easily the strongest of a strong bunch of images. There's the metaphor of the cage in it, which I think pushes this above a "movie still" sort of shot into something that captures a larger idea of the film noir. It's more of a complete movie compressed into a single frame.
Ok, that's probably 50 percent bull, but I don't know which half, so I am gonna let it stand. Hopefully there's something in there you can take away and use!