reaper said:
I think this looks fantastic....granted I don't have the eye that some of you do, but this is very pleasing to me. To me, this photo is initially boring.....nothing different than everything else out there, after HDR, outstanding.
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So, you say you do not have the eye that others have. Fair enough. Here's what my "eye" and my brain say: "It looks clownish to me, with a heavy-handed, cheezy looking, oddly-shaped four-stop vignette on the sky, cartoon clouds, and for some reason, the dome on the building now looks like a red Idaho potato in color, and the water has an ORANGE cast to it. The water reflects blue, then green, then orange."
Yeah... "great photo!" Not.
What you admit you are liking is a type of digital image that has long been called "eye candy". It's a cheap thrill for the senses. Print a picture like that out and hang it in your living room or office for a full month. You'll look at it a lot, and soon come to realize it looks cartoonish. It's a matter of visual taste and experience. The ridiculous water, in three colors, is a pretty good starting place for one's disillusionment, but then your attention will turn to the bright sky tones to the immediate right of the building, and you'll soon learn to appreciate the ages old saying,"Light advances, dark recedes." The sky's color and its tonal values are totally whacked in this shot!
The last thing about this shot is what Andrew Molitor called, "
The light from nowhere effect." You know, where there appears to be no definable point of origin for the lighting...the shadows have been lifted soooooo much that in many HDR pictures that are overcooked, all of the cues about size, and depth, and distance, have been removed, because the shadows have been "lifted" up to mid-tone brightness values. The light on the scene in many HDR shots seems to emanate from...everywhere! And yet, from nowhere! After a period of looking at this type of rendering, people start to accept that bright, sunny day scenes can have shadow areas that look like mid-tones, and then they start to think, "Hey--this looks pretty great!" Everything is equally visible! THe deep shadows are brightened up so much that I can see every detail in the shadows as if it were a mid-tone!
Imagine if you watched a color TV set that had a picture like that. Where the lighting on EVERY scene looked like San Diego on the 4th of July. Night scenes, dawn scenes, twilight--ALL brightened up to a nice, uniform, fake light level, with no shadows, no midtones, and dull highlights; now THAT is overcooked tone-mapping, in a nutshell. Most things perfectly equalized and normalized to "fit" the widest possible range of values into one, big, normalized tone-mapped shot, but then ridiculously out of character colors and tones in places like the sky, or the water.
So, that's part of the reasoning underlying *my* feelings about overcooked images that have been tone-mapped hard, and put on display wet. ;-)