Starry Night
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tirediron, how can you say that is not real bokeh?
Hi!
I'm the photographer of the colored bokeh in question, it is in fact a result of lights from our Christmas tree!
Thought I'd help clear that up.
As far as how I achieve hard edged bokeh, it depends largely on the light source, and what lens I Am using. Usually light that breaks through shrubbery and trees is closer together, more opaque, and has a softer feel. On the other hand, more compressed light sources usually result in brighter, more defined bokeh.
My 70-200 lens gives me the most distinct bokeh, but as you can see in the photo, it also gives quite a bit of distortion to the "pure" round shape of bokeh.
Hi!
I'm the photographer of the colored bokeh in question, it is in fact a result of lights from our Christmas tree!
Thought I'd help clear that up.
As far as how I achieve hard edged bokeh, it depends largely on the light source, and what lens I Am using. Usually light that breaks through shrubbery and trees is closer together, more opaque, and has a softer feel. On the other hand, more compressed light sources usually result in brighter, more defined bokeh.
My 70-200 lens gives me the most distinct bokeh, but as you can see in the photo, it also gives quite a bit of distortion to the "pure" round shape of bokeh.
The distortion of the pure,round shape of the Christmas light bokeh is fairly common. It is often caused by mechanical vignetting of the lens, but can also be caused by the mirror box of the camera. In the case of the Canon 70-200/2.8 L-IS lens, the vignetting seems to me to be from the lens...it has what is called "mechanical vignetting". The mechanical vignetting clips off some of the light rays, and renders football-shaped OOF highlights at the edges of the frame. This football-shaped OOF pattern is often referred to as "cat's eye" bokeh.
Here is a short from the Canon 70-200 f/2.8 L-IS lens on the Canon 5D--notice the clipped, cat's eye or football-shaped bokeh circles?
<snip>
here is a shot, done in front of the SAME mini-Christmas light backdrop, but using the Nikon 200mm f/2 lens on a Nikon D2x camera. No mechanical vignetting with this body/lens combo.
<snip>