@K9Kirk The last one we were on the third wardrobe change and she was warmed up. One of my favorites as well.
@ronlane the shot and processing was not your typical High Key shot, I think that's what's throwing you off. Typically in High Key as you bring up the whites, it has a tendency to also wash out the midtones. I wanted the look, but still wanted those crisp saturated midtones (especially in the reds and greens). My AB's are dead on 5500k, which is why I have a custom WB in camera of the same, but surprisingly when I put the diffusion cover on the big umbrella, when correcting in post I had to take it up to 6700k. I likely could have gone a little more, but decided I really liked the slightly cool look in the whites as it fit with my other goal of boosting the midtones. All the processing was done in LR, a couple of gradients with custom masks, and a couple adjustment brushes here and there. Most of the heavy lifting was done in the Basic panel - curves (RGB looks likes a drunken s curve LOL), and the HSL (saturation and luminance).
I'm sure you also have many crops/close ups etc. Even though it cuts off the tree, I would definitely zoom in for a landscape crop or maybe a square on #4 where she is looking dead on at the camera.
Kudos on these. Nominated #5 for POTM!
Actually I didn't take any in close, camera was on a tripod, and with the wardrobe changes and directions, I just completely forgot.

There will be another chance before long though. I really wasn't pleased with the tree, it was way to tall, but unfortunately all I had, would have preferred a more size appropriate one. The other thing I was disappointed in is the lights, if you look closely they're on, but they just don't show up well, and I couldn't see taking the time to adjust each one.
Thank you so much for the kind words and the nomination. I really appreciate it!!!!!!