Ok, let's try this again - Both pics are cropped, no PP shooting in Auto.
This one is at 88mm
55mm
I think that's as close a comparison as I have. Both sets of pics are pretty old.
This proves what? That you can take poor pictures with both cameras? Auto can't be your only control in an experiment like this. The lighting, angle, pose, background, vantage point, distance from subject, and so on are different. This isn't a close comparison. I'm not saying that a P&S won't be outmatched by a DSLR most of the time, but at least make a comparison on a level playing ground.
So at 10:40pm to 2:40am you were expecting what? Is this you thinking that you made some sort of immaculate indisputable point?
Just got back after a three-hour shopping trip...what these two comparison photos show is a crappy lens performance in the top photo...see the purple fringing that is contaminating the boards of the fence??? It's subtle enough that many beginners will not see it, but it is one thing that is causing the P&S photo to look sub-standard--all over. Even the dog's fur does not render "sharply"...this purple fringing can be 1) longitudinal CA, which is typically GREEN out of focus fringing in front of the point of focus, and PURPLE CA behind the point of focus...this is now commonly called "bokeh CA". It cannot be removed in software. 2) On many digicams,purple fringing around dark lines seen against bright backgrounds (telephone wires, tree limbs,etc. seen against bright skies or light-colored objects,etc.)--this is often called "blooming", or "purple fringing", and Canon calls it birefringence I think is their term. Small-sensor digital cameras often have purple fringing, more so than larger sensors.
Ballistic has a good comparison done indoors, with various lenses and a P&S thrown into the mix, shooting a macro-range computer memory module or other type of computer component, and all four images look pretty good...very hard to spot much of a difference. The longitudinal CA (purple BEHIND) the focus plane would NOT SHOW UP in a flat-scene like the computer memory module, and and GREEN longitudinal CA would be very,very hard to see in his green-surface sample.
The BEST Point & Shoot cameras, with VERY GOOD or better lenses, when used at lower ISO values, can make excellent prints and on-screen images. When a P&S is used on a close-up scene, its limited pixel count still puts MILLIONS of data points onto a scene that's hardly larger than a postcard in the real-world. CLOSE-UP shots done with P&S cameras really can look beautiful, and impressive. As long as the light level is fairly high, and the ISO is pretty low, and the lens is high-quality, and technique is adequate for the task. At elevated ISOs of 400 or higher,MOST P&S cameras begin to flag, and badly too....noise,noise,noise--or massive amounts of Noise Reduction applied, lower color saturation, yeeech...
Speaking of lenses with BAD chromatic aberration: the first-generation Canon 18-55 kit lens sold in the USA (not the overseas model, which was an entirely different model) was absolute GARBAGE, and was RIDDLED with CA.I had one for a while....zOMG...it was one of the absolute poorest zooms I have ever owned...it was not a good enough lens for the 20D's 8.2 MP sensor...the lens was utter rubbish, and was roundly condemned by virtually ever reviewer who reviewed the original Digital Rebel sold in the North America market and the EUrope/UK market. The JAPAN market received a much-imporoved lens both mechanically, and optically.