AMOMENT
TPF Noob!
- Joined
- Sep 27, 2011
- Messages
- 701
- Reaction score
- 48
- Location
- NY
- Can others edit my Photos
- Photos OK to edit
I may not be an obedient student in many eyes but that is because many of my teachers have opposing views/methods. Who are my supposed to listen to? Who is right? I have some people telling me to practice shooting at slower shutter speeds and some telling me not to. Others tell me to bump up my ISO while there are people sending me PM tutorials about how to use your flash properly instead of creating noise with your ISO. I have a crowd telling me to shoot at 5.6 and some telling me no, don't do that! LOL..my head is spinning! I have TOO much info that is conflicting. Is it so surprising that with something as foreign as photography is to me at this point and with so many different and negating pieces of advice, that I'm all over the place? Okay...(can of worms opened) who is really the expert on here? J/K!
Guys, I'm just looking to enjoy and maybe be somewhat successful with photography as a hobby. I have a very peaceful life and if anyone knew me in real life, I think it would be so interesting because the INTERNET really distorts a person. (but why, that's my territory; psychology.)
I feel like I'm applying everything but everything implies so many different opinions. I don't know which way is up. As I stated earlier, I have even got wonderful and helpful pm's about certain issues but one negates the other.
Before you start pointing fingers at me, the newbie who is HUNGERING FOR KNOWLEDGE AND DIRECTION, perhaps you should look at one another "the experts" and how opposing your advice can be. I'm not saying you all need to be in agreement, this is not photography school. I am saying, don't be personally offended if I'm not applying your personal advice. I'm trying. LOL. I'm not ignoring anyone's advice. I am just trying to make sense of so much of it that is so conflicting. I feel like I can't even get into shooting still life because I just have no interest in it and therefore, my "eye" doesn't see anything potential in it. I may need to work on this for learning purporses. However, I do have a career already so if I end up being sucessful in photography, that is wonderful but not essential. I'm intrigued by it and find it quite theraputic!
For those of you who have tried to keep these threads civil; THANK YOU! For any of you who feel personally offended if I am not taking your advice well then, I'm sorry but it has become a question of who'se advice to take.
I really do come in peace guys. I love photography and appreciate the guidance and time you have given me. If you feel like you need to lash out on me because I am not obeying well, go for it, but I don't think it is necessary. Instead of being so hostile, give me or ANYONE the benefit of the doubt. I have a lot of WONDERFUL people offering help but a lot of you have opinions that are so varying!
So, Mleek; this is what I have learned in the past month.
(deep breath...and gooooo)
Slower shutter: more light in, more room for error in sharpeness
lower aperture numbers (aperture opened up wider) ...more light in/less DOF)
DOF: dependant upon aperture/focal length
metering: instead of seeing everything in color see it in shades of black/white/gray. Find your middle gray.
Af-C basically means auto focus but you choose your focal point and the camera then continues to keep that point in focus even if your subject moves.
Af-S. (or servo) basically you lock in your focus and shoot. It does not continue to keep your subject in somewhat focus which is why if there is to be any movement, you need to recompose.
composition: don't cut off limbs, rule of thirds, don't fill your frame with your subject (at least all of the time because your margin for error is greater.) STEP BACK!
Pop up flash is harsh, use a diffuser or (according to some) forget the flash, bump up your ISO. According to others, use a speedlight and bounce or don't bounce the light. Some say keep ISO as low as possible and bring in other light. (hence my speedlight)
Shutter speeds: For a moving subject (even just a little movement) shoot no slower than 1/200 and maybe even 1/400. However some have told me to work on camera shake and try 1/60 and keep that ISO down.
Pay attention to your historgrams.
If you shoot in RAW than you can adjust more in pp. White balance has to do with temperature (obviousely).
Focus your AF point on the nearest eye of your subject. (when shooting a portrait; not written in stone)
Unwritten rule; for every number of subjects you need to shoot, make sure the aperture is that +1.
(head still spinning but slightly enjoying it now because I have had a glass of wine )
As a teacher, I personally find that belittling, chastising, and becoming angry at even the most frustrating of students, only slows the learning process even more. (but that's just in my experience) I've found a lot more success with true CC and lots and lots of patience. If for some reason I don't think my student is a right fit for my classroom, well then we work with that. In this scenario, just don't respond.
P.S. I'm still astonished by the anger that is displayed in so many of the threads here. Isn't photography supposed to be about capturing life's beauty? It seems as if we ALL seem to forget the one common "thread" that links us together; our love for a shared art.
Guys, I'm just looking to enjoy and maybe be somewhat successful with photography as a hobby. I have a very peaceful life and if anyone knew me in real life, I think it would be so interesting because the INTERNET really distorts a person. (but why, that's my territory; psychology.)
I feel like I'm applying everything but everything implies so many different opinions. I don't know which way is up. As I stated earlier, I have even got wonderful and helpful pm's about certain issues but one negates the other.
Before you start pointing fingers at me, the newbie who is HUNGERING FOR KNOWLEDGE AND DIRECTION, perhaps you should look at one another "the experts" and how opposing your advice can be. I'm not saying you all need to be in agreement, this is not photography school. I am saying, don't be personally offended if I'm not applying your personal advice. I'm trying. LOL. I'm not ignoring anyone's advice. I am just trying to make sense of so much of it that is so conflicting. I feel like I can't even get into shooting still life because I just have no interest in it and therefore, my "eye" doesn't see anything potential in it. I may need to work on this for learning purporses. However, I do have a career already so if I end up being sucessful in photography, that is wonderful but not essential. I'm intrigued by it and find it quite theraputic!
For those of you who have tried to keep these threads civil; THANK YOU! For any of you who feel personally offended if I am not taking your advice well then, I'm sorry but it has become a question of who'se advice to take.
I really do come in peace guys. I love photography and appreciate the guidance and time you have given me. If you feel like you need to lash out on me because I am not obeying well, go for it, but I don't think it is necessary. Instead of being so hostile, give me or ANYONE the benefit of the doubt. I have a lot of WONDERFUL people offering help but a lot of you have opinions that are so varying!
So, Mleek; this is what I have learned in the past month.
(deep breath...and gooooo)
Slower shutter: more light in, more room for error in sharpeness
lower aperture numbers (aperture opened up wider) ...more light in/less DOF)
DOF: dependant upon aperture/focal length
metering: instead of seeing everything in color see it in shades of black/white/gray. Find your middle gray.
Af-C basically means auto focus but you choose your focal point and the camera then continues to keep that point in focus even if your subject moves.
Af-S. (or servo) basically you lock in your focus and shoot. It does not continue to keep your subject in somewhat focus which is why if there is to be any movement, you need to recompose.
composition: don't cut off limbs, rule of thirds, don't fill your frame with your subject (at least all of the time because your margin for error is greater.) STEP BACK!
Pop up flash is harsh, use a diffuser or (according to some) forget the flash, bump up your ISO. According to others, use a speedlight and bounce or don't bounce the light. Some say keep ISO as low as possible and bring in other light. (hence my speedlight)
Shutter speeds: For a moving subject (even just a little movement) shoot no slower than 1/200 and maybe even 1/400. However some have told me to work on camera shake and try 1/60 and keep that ISO down.
Pay attention to your historgrams.
If you shoot in RAW than you can adjust more in pp. White balance has to do with temperature (obviousely).
Focus your AF point on the nearest eye of your subject. (when shooting a portrait; not written in stone)
Unwritten rule; for every number of subjects you need to shoot, make sure the aperture is that +1.
(head still spinning but slightly enjoying it now because I have had a glass of wine )
As a teacher, I personally find that belittling, chastising, and becoming angry at even the most frustrating of students, only slows the learning process even more. (but that's just in my experience) I've found a lot more success with true CC and lots and lots of patience. If for some reason I don't think my student is a right fit for my classroom, well then we work with that. In this scenario, just don't respond.
P.S. I'm still astonished by the anger that is displayed in so many of the threads here. Isn't photography supposed to be about capturing life's beauty? It seems as if we ALL seem to forget the one common "thread" that links us together; our love for a shared art.