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I'm afraid of my flash!

allinschenk

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I started out using natural light. The husband bought me the Canon Speedlite 430 EX II flash and an onmibounce for Christmas. I've tried playing with it a bit, but just can't seem to get the results I'm looking for. I've been told I need a softbox, but at this point I'm just plain lost. I'm currently doing a lot of work in people's homes (and no, I don't charge...I'm looking for experience and growth as a photographer only) Any help/wisdom/advice would be much appreciated! I'm tired of looking at that darn Speedlite!
 
I use a bounce card. It makes the flash useable without making over-exposed spots or that 'fake lighting' look. I use an elastic band and a gloss printer paper cut to a triangle and bounce my flash off of that
 
There are many good tutorials on the net that will help you understand and control your strobe. This is a very good one Strobist , click on lighting 101 and start there. Flash photography takes a lot of practice and understanding, and most important learn off camera flash photography, your results will surprise you.
 
Maybe you should post pics and tell us what effect you want to get, so we can help you better.
 
All light is natural light. It's all made of the same thing - photons. The photons are just liberated in different ways by the different light sources.

The photographer has severely limited control over available light. Strobed light (flash) allows much more control, and controlling the light is the essence of photography.

Using strobed light adds a level of complexity to photography, but it's the way to make more professional looking photos in a broader range of shooting situations. Using strobed lighting allows exposure control of the ambient light separately from the exposure of strobed light (flash) with a single shutter release.

Ironically, using the camera's automatic, flash TTL modes is much more difficult to learn, and get consistent results from, than using both the speedlight and camera in manual modes.

Another difficulty many have is they lack an understanding of the basic technical fundamentals that make photography possible. In other words, they don't know how their tools work, and are consequently not able to use those tools effectively.

The more automated dSLR photography hardware becomes, the more technically astute photographers must be to understand and allow for the limitations and nuances those automatic features have.

A case on point is understanding the limitations of auto focus. If there is little or no contrast in a scene, the passive type of auto focus most dSLR cameras use today just cannot function properly.
 
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Try simply bouncing it straight up off the ceiling without using the omnibounce( if its a white ceiling ). It should disperse the light rather well if you need it light the majority of the room. Or simply dial down the power on the flash so that it is only acting as a fill for shadows but not really acting as the main lighting for the scene. You can get a very large piece of foam board and a small stand w/clamps, or reflector w/ stand ( Amazon.com: Fotodiox 40x60" 5-in-1 Collapsible Reflector Disc Pro Kit, with Stand, Soft Silver/Gold/Black/White/Diffuser: Camera & Photo ). If you set that up to one side ( or if you have a large white wall ) you can bounce the flash off of that. It will give the same sort of appearance as a large window letting natural light in. The only problem, is then the other side of the subject may not be lit as well.This is where a smaller slave flash or another smaller reflector to bounce light up onto the shadow side.
 
I have the same flash and i too seem a bit lost. I just continue to mess w it as much as possible.
 

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