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Wonder how much of this is due to the upsurge in film popularity? Fujifilm set to increase prices on 01 April by as much as 164%
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Think you might want to have a look here and drop a digit? Making and selling less film doesn't necessarily make it cheaper, too. IMHO, the notion of an "upsurge in film popularity" is more a matter of faith(wishful thinking?)than verifiable fact. Remember that Kodak went broke in 2012, so any sort of uptick looks like a miracle compared to "peak film" in, say, 1999.Wonder how much of this is due to the upsurge in film popularity? Fujifilm set to increase prices on 01 April by as much as 164%
Think you might want to have a look here and drop a
No quality lab within a 90 minute drive i
Agree. My close filmhead friends chide me regularly for not processing my own b&w. They're total hardcores--pinhole, 4x5, wet plate, weird Middle European and Ukrainian films whose names I can't pronounce, and witches' brew developers. I love them and respect their work mightily. I have dialed in DSLR scanning for b&w and admit the results aren't half bad, especially with 120. For me, it's looking like adios to C-41 this year, especially for non-serious stuff, since digital provides so much more creative space.Film prices have climbed and early this year with Kodak announcing an increase coming in a couple months what do you think folks did, stock up and there was a back order situation. But film cost is still a drop in the bucket compared to mailing 2 ways which is almost as much as the film itself, then processing along with cost for push/pull and scanning. I'm just developing 3 rolls today and have 3 hour turnaround to digital and instead of over $30 a roll, its $10 or so including chemicals.
I still can't easily replicate portra even with the best plugins. That is one film that took a large price increase.Agree. My close filmhead friends chide me regularly for not processing my own b&w. They're total hardcores--pinhole, 4x5, wet plate, weird Middle European and Ukrainian films whose names I can't pronounce, and witches' brew developers. I love them and respect their work mightily. I have dialed in DSLR scanning for b&w and admit the results aren't half bad, especially with 120. For me, it's looking like adios to C-41 this year, especially for non-serious stuff, since digital provides so much more creative space.
I'm still happy with the old, free Nik plug-ins. Worth a look if you don't have 'em. Lots of online tutorials still available for that set.I still can't easily replicate portra even with the best plugins. That is one film that took a large price increase.
I still can't easily replicate portra even with the best plugins. That is one film that took a large price increase.
At the age of 13 (1977) I'd ride my 10 speed bike up to the photo kiosk that was just down the road from where I grew up. It was in it's own little parking lot and I drop off my 126 cartridge's and get bordered 3.5x3.5's. Did not care about quality at that point I was just having fun. Quality did not come to me until I got my K1000 in 1980.@webestang64 & @cgw no idea how old you are but I still remember the mail in places that if you sent them a roll to develop, they'd send you back, the negs, prints, AND a free roll film, Then we had the 1hr kiosks locations that popped up in parking lots everywhere. Drive up to the window, drop off, come back later for pickup. Either was cheaper than the cost of a roll of film now. It was always fun trying to guess what sort of tint your prints would have, every location was different. LOL