There is no test. There is a reason why professionals use top quality equipment. Half of the examples in this thread missed focus or are blurry. The other half were taken in broad day light. Sure, in broad day light, there isn't much difference between a capable camera and a point and shoot. In most other conditions, the differences are night and day.
I'm not sure what point you are trying to prove, but Posts 2, 9, 11, and 17 are the only ones I would consider decent, and they were shot under ideal conditions.
I think you are missing the point of this thread. It is not about who has a bigger lens or who has a more expensive camera. A normal point and shoot camera is far more advanced that what Ansel Adams was working with. My point is that they should not be disregarded and looked down on because in capable hands, even a P&S can produce excellent images. This is just a fun thread, no need to get over critical about it.
Here are some more taken with my canon s90- some of which were taken in "less than ideal conditions" and non of which have been edited (except for crops).
I won't critique the photos since you didn't ask for it.
In any case, Ansel Adams also returned to the same spot just about every day for a year to capture the shots that he did. He then spent considerable time in the darkroom editing them. I spent a long time trying to get the shots that I wanted out of a P&S. Too long. I spent too much time trying to get the results I wanted with a DSLR and a fast prime.
It wasn't until I combined flexible gear with a control of lighting that I began to see results that I could be proud of. Yes, great shots can be made with minimal gear, but there is a reason that advanced gear exists. Consistency. I consistently take photos that I am proud of in all kinds of conditions. I could not do the same with a P&S.
I don't mean to be critical to your 'just for fun' thread, but you opened a discussion implying that 'limited gear' could produce equal results with the proper photographer. You shouldn't be offended when somebody disagrees with that assertion. Yes, in controlled or ideal circumstances, just about anybody could take a great photo. Honestly, photography isn't that hard. You set three variables, push a button, and do a bit of editing. Nothing too complicated especially since most of the variables are predetermined. ISO depends on the available light and the camera's abilities. Shutter speed is usually the fastest available depending on the aperture. Heck, most settings in any situation not outdoors in broad day light or with studio lights are completely dependent upon the limitations of the gear a photographer is using.
When I shot weddings with my d90, I was wide open for the aperture, at as high an ISO as I found usable, and at as fast a shutter speed as I could and still properly expose the photo. There were no creative choices. There weren't any options. It was ISO 1600, aperture 2.8, and a shutter speed of around 1/30th of a second on a tripod. At that point, you could put anybody in that position, tell them to push the button, and get the same shots. Now, I am using a D700 and will go up to ISO 3200, aperture 2.8 and a shutter speed of around 1/60th of a second. A P&S simply cannot shoot in those conditions. Camera settings have almost nothing to do with creativity or 'art' in most circumstances. It is completely dependent upon the situation and the light level. Weddings aside, even if you are shooting in broad day light, you use a small aperture, base ISO, and sync shutter speed and hope your flash is powerful enough to bring the subject up to the background(or find some shade, use reflectors, or just deal with the raccoon eyes in post). (and most P&S's can't utilize an external flash which would make it even worse)
There aren't any secrets. There aren't any special recipes. Almost every decision made by a photographer is influenced by his gear limitations and the conditions he is shooting in. Sure, there are some creative 'flyer's' and some of them turn out great, but they aren't a high keeper percentage and you never know if they are going to work out.
I'm sorry to dispel so many myths in one post, but, seriously, it's not that complicated. There are only 3 settings on the camera. The conditions aren't always controllable and most people can't revisit the same site for months waiting to get the right shot. Equipment matters. It allows you to control the situation instead of it controlling you.
I'm sorry if that hurts your feelings. No, not everyone can afford the gear necessary to shoot in just about any situation they encounter. Heck, most can't. Heck, I can't. Sometimes you just have to pack up your gear(or put the P&S in your pocket) and realize that you don't have the right tools for the job.
In any case, to imply that a P&S is up to the same task as a properly outfitted pro is just ridiculous. I don't care who is behind the camera.