Sure. I was trying to introduce myself by showing an example, since my ideas seem to be anathema to many. I totally have an agenda, which is to discuss image matching. E.g. I'd love to see a thread where people post picture combos like what I've attempted to do. That should be sufficient. Ultimately it would be cool if other people got into algorithms so we could compare methods etc. like for the rest of photography. So far unfortunately for me, I seem to be the first one doing it, so there is no obvious place to discuss it other than general photography forums. I'm getting a consistent objection that since I could profit off it, it should not be discussed, so I was trying to keep it focused on specific matches and not mention the site at all. If it makes anyone feel any better, no one including my family wants to go back to the site once they have seen it
General photo intro: I took a lot of pics with film, ending up with an EOS 3, and have stayed with Canon for my digital cameras. I have done mostly street photography, and used to consider myself a fine art photographer since I look for compositions based on many hours spent looking at art, hence the interest in matching pics esthetically. I scanned slides with a Sprintscan 4000, and got into combining images in interesting ways for albums and slide shows. Finding myself running out of brain power to manage all the connections I was making, I put serious photography aside for 10 years, while thinking on and off of a solution that as a programmer I might implement. Eventually I had a chance to spend a year on a solution that feels like mining gold as unexpected combinations present themselves from the 6500 pics I've got in the database at the moment, the most remarkable recent being the ones I tried to post, which you can see in my area I suppose. I don't expose this 'pure' best-of-algorithm matching ability directly on my site, rather I incorporate a bunch of such algorithms and other ideas to try to create an artificial intelligence that speaks a language of pictures, but you didn't want to hear about that, did you
The craziness all started for me with getting into the 'friction' one can feel when considering images together, and that experience at least seems like something that some people can understand, so that's what I'm advocating for discussion. It's an extension of analyzing compositions, so if folk indulge in that here, it seems like there could be room to discuss specific examples.