What's new

So frustrated just feel like packing the whole blooming lot in :(

Also, a little photoshop tweaking can make things look slicker, after the fact, which the pros all do.

$foo.webp

ETA: That looks pretty yellow now that I look at it. Oh well. It's the idea that counts, right?
 
Last edited:
I thought maybe the fuzziness was noise but had a photographer friend look & what I thought was noise (the fuzziness) he says is just the shallow DOF,

When your friend says "shallow DoF" what does that mean to you? Please explain in your own words, don't use shallow & DoF in your definition please.

but even when I zoom into the focal points like the eye its still fuzzy but not on my LCD I just don't get it can anyone suggest ANYTHING!!! getting desperate here!! please & many thanks in advance.

Neither zooming into a focal point, or buying a new camera is going to fix shallow DoF
 
SCraig - I just don't like the look of it, heres one with flash, I think it makes her look ghost like its the built in flash though it is set lower I have a flash gun but only a cheap thing from Dino Direct!

You aren't using it properly. If you can tell it was shot with a flash, other than the highlights in the eyes, then you're doing it wrong. Look at any good, studio portraits. Keep in mind that they were ALL shot with strobes. If they are good you won't be able to tell it.

Put a couple of layers of tissue over your pop-up flash and hold them on with a rubber band. Set your flash exposure to about -1 EV, and try that. The tissue will diffuse those heavy shadows and shooting at -1EV will eliminate a lot of the horrendous glare.

Then go out and get a GOOD speedlight that you can bounce with and/or get it off the camera. A pop-up flash is better than nothing but it won't take the place of a good speedlight. A lousy speedlight is about as good as a pop-up flash. A little better since it raises the flash off the axis of the lens, but that's about it.
 
Different strokes for different folks & all that, but my daughter would fall in love with the first two baby pictures you posted. She loves that soft background look.
 
I think I got all of the previous posts. If this is a duplicate, forgive me.

It looks like you are shooting manual mode. Is the camera saving in raw format? If so, remember that the camera is doing none of the automatic sharpening, etc. that is applied by the camera if saving in jpeg format. If you are saving in raw, you need to apply the sharpening, contrast, etc. through post processing software that is otherwise done in camera. I'm not familiar with your model of camera, but at least on some of them, the camera preview shows the results as if the camera had applied its automatic processing, but still spits out a raw image with no processing when you download.

One more item to check.
 
Explore off-camera lighting techniques. With wireless triggers and a speedlight set a low power you will learn that you can throw in just enough light to make things look wonderful.
 
Like many people commented before, increasing your aperture will help make more the picture in focus. There is also usually another advatange to this! Each lens has its "sweet spot". By that I mean an aperture that the lens is its sharpest. If you look at this resolution chart here of your lens: Sigma AF 30mm f/1.4 EX DC HSM (Nikon DX) - Review / Test Report - Analysis You will find that your lens is 15% sharper in the center at f/2.8-f/4 then it is at f/1.4. Also looking at this chart you can find that your lens has VERY poor resolution on the outside at f/1.4 and doesnt get good resolution till f/4. I would say f/4 is a good sweet spot for that lens.
 
Two things:

1) As so many have mentioned, shooting at a very low f-stop (aperture) will create a very narrow depth of field. This will be compounded by focus point selection (more on that in a moment). Sometimes you WANT a very shallow depth of field, but that really only works if you're sure the camera has locked focus on the part you really want in tack-sharp focus.

2) You have the ability to force the camera to lock focus at specific positions in the image. The 7D has a 19 point AF system and several focus modes. In many of these modes, the camera has some flexibility to lock focus on a target. If the camera is offered some flexibility over what it picks, then it will pick the target with the CLOSEST focusing distance to the camera. That means if you have a shallow depth of field, and you WANT the camera to lock focus on the subject's eye, but there's a something closer and another AF point is positioned over that "closer" object, then the closer object wins. Due to the nuances of the way "phase detect" auto-focus sensors work, the camera does not have to test and evaluate focus by doing a focus hunt through all the points. The direction of the phase shift tells the camera whether the focus needs to come in or go out to lock focus and the amount of phase shift tells the camera how far it needs to move. The camera knows instantly which focus point can lock focus on the nearest element and moves the lens to lock at that position. It's very fast (you paid good money for it to work that way.)

You can read a bit about the focus system here: Canon DLC: Article: EOS 7D: Sophisticated, Customizable AF System

But there are many books and extensive articles that explain all the nuances of the system. It's actually an extremely good system. It was designed to offer a very high degree of control to action photographers who knew what they wanted. But this means you have some homework to read about the system and learn to control it.

Minimally you'll want to learn to put the camera into spot AF mode. Once the camera is in this mode, it will only use a single AF point to lock focus (the rest of the points are ignored.) You can press the focus select button (upper-right on the back of the body) then use the joystick to navigate the selected focus point around. Put the point directly on your subject's eye, lock focus, and take the shot. This should put the tack-sharp focus directly on that specific point.

I normally return my camera to allow it to auto-select the focus point before powering off (I never know if I'll want to grab the camera in a hurry.) But usually when shooting a subject, I don't use the auto-select mode... I pick the focus points or at least pick the focus zone.

Sometimes a lens misses focus even when the camera would have nailed it. Lenses can have focus error in either the back-focus or front-focus direction. Normally you wont notice a lens with focus error when shooting at even moderate f-stops because the amount of error is usually much smaller than the depth-of-field area. That means even if the lens misses focus, the image still looks pretty sharp and you are none-the-wider to it. BUT... when shooting at very low focal ratios, this can be a real problem. It's possible to test a lens for focus accuracy using a decent focus target (there commercial targets available and also targets you can download, print on your home printer, fold up, and use them to test focus accuracy.) If you find your lens is consistently missing focus (these tests must be carefully conducted to ensure that it is the lenses fault that focus was missed and not the fault of the camera operator. That means the camera MUST be on a tripod and incapable of moving or the test isn't valid.) The 7D has AF calibration which is per-lens (I think it can "remember" the calibration of up to 50 unique lenses that you own. Far more than you'd ever likely need.) If the camera knows that a certain lenses consistently back-focuses by a few focus units, it can be programmed to "lie" to the lens ... telling it to focus just a fraction closer than it really wants. That way when the lens back-focuses, it actually nails the focus right where you want it. That little feature is another reason why you paid more for a 7D.

There is one more thing that I notice some people do.

In the default focus mode (aka "One Shot" mode), the camera wont focus until you press a button to activate focus. This can be a half-press to the shutter button OR you can use another button (you can program back-buttons to start focus.) But here's the important part about "One Shot" mode: Once the camera locks focus... it shuts off the AF system. That's it. It's locked. If the subject moves or if YOU move, the camera will NOT adjust the focus. You'd have to release the shutter button and do another half-press to get it to turn the AF system back on. "One Shot" mode is made for shots when the subject isn't moving. It's focus is more accurate BUT... you must NOT move. I have seen people set very shallow depth of field, focus... and then LEAN forward or backward (which of course means the subject is no longer at that same distance where the focus was locked.)

The camera does have a mode when the focus distance is constantly changing. In "AI Servo" mode the focus system never stops working. It's always checking to see if the focus distance changed and if focus can be improved. You'd think that you should just leave the camera in this mode all the time... but that would be a mistake. Only use "AI Servo" when you KNOW the focus distance will constantly be changing (e.g. action shots). If you know the subject is stationary then use "One Shot" mode. This is because in "AI Servo", the camera believes the subject SHOULD be moving... so even after focus locked, the camera will still try to tweak focus to see if it's changed. Another nuance of "AI Servo" mode is that it's also a "release priority" mode -- that means the camera WILL take the picture when you fully press the shutter button ... whether the shot was in focus or not. And THAT means that if you fully press the shutter at a moment when the camera was testing for movement, you can get an out-of-focus result. In "One Shot" mode the camera is in "Focus Priority". It will NOT take the shot unless it was able to lock focus. Of course it only locks focus once and then it's clear to take the shot (even if the subject moved.)
 
BTW, I forgot to suggest... if you haven't done so already, install the Canon DPP (Digital Photo Professional) software that came with the camera.

When you open an image in DPP, you can right-click the image (which makes a pop-up menu appear) and click on "AF". This will put an overlay on the image that SHOWS you which auto-focus point or points were used in that particular image.

This way you can look at the image and tell if the camera locked focus on the eye (which is what you wanted) vs. someplace else.

Apple's "Aperture" software can also display the auto-focus overlay... but Aperture (fantastic software, btw) is only available on the Mac. DPP comes with every Canon DSLR and works on either Mac or Windows.

Last I heard, Photoshop and Lightroom still can't display the AF points (sounds like users will need to start pressuring Adobe to implement that feature because the data is in the image data that the camera records. They just have to be willing to display it.)
 
You want your backgrounds blurred and out of focus...not parts of your subject. So your ideal image is not really a good one. Having eyes in focus, so they pop, and your subjects arms..head..or other parts blurred...is just weird. The photos you see online are not like that I can almost guarantee.

So much great advice has been posted here thus far, no point repeating it. I'll just say your issue is your mindset, and your aperture. Both shots would be a world of difference stopped down to 5.6 ish. If there is not enough light to support that aperture, make more light.

If you really want to shoot wide open like that, at 1.4...which not many do by the way, back up further away to help give you more of a focal plane.

Good luck, don't quit.
 
Yes i think you shoud pack up, how about taking up knitting or sewing
 
Yes i think you shoud pack up, how about taking up knitting or sewing

Yes, and send me all your gear. :)

Just kidding. There is some great advice in this thread and personally I am learning a lot by reading it. I used to shoot wide open ALL the time since it seemed I was always needing more light. And my photos were almost always out of focus.
 
Like many people commented before, increasing your aperture will help make more the picture in focus. There is also usually another advatange to this! Each lens has its "sweet spot". By that I mean an aperture that the lens is its sharpest. If you look at this resolution chart here of your lens: Sigma AF 30mm f/1.4 EX DC HSM (Nikon DX) - Review / Test Report - Analysis You will find that your lens is 15% sharper in the center at f/2.8-f/4 then it is at f/1.4. Also looking at this chart you can find that your lens has VERY poor resolution on the outside at f/1.4 and doesnt get good resolution till f/4. I would say f/4 is a good sweet spot for that lens.

That's an awesome site & something I've been looking for that goes beyond the "more expensive lenses are generally better" lens reviews. I like to know what I'm paying for & this helps. Thank you very much.
 
Yes i think you shoud pack up, how about taking up knitting or sewing

Yes, and send me all your gear. :)

Just kidding. There is some great advice in this thread and personally I am learning a lot by reading it. I used to shoot wide open ALL the time since it seemed I was always needing more light. And my photos were almost always out of focus.

Nothing wrong with shooting wide open, but not when you are learning
 

Most reactions

Back
Top Bottom