Ok, I'll bite. Why are you shooting astrophotography at the red end of the spectum Tim?
Ok, here's the deal...
90% of all "normal" matter in the universe is hydrogen atoms. Light can't be emitted at just any wavelength. Each atom can absorb or emit light only at specific wavelengths. For hydrogen atoms, they follow the Ballmer series (see:
Balmer series - Wikipedia, the free encyclopedia ) which is primarily just 4 emission/absorption lines (we only care about emission for imaging) but the most dominant is the hydrogen alpha line.
A normal camera starts clipping reds well before 600nm, but the H-alpha line is at 656nm. That makes a normal camera not particularly sensitive to Ha.
With a modified camera, the filter is either removed or a better filter is used (in the case of the 60Da it's the latter) and the camera is about three times more sensitive to Ha ... and since that's MOST of the universe (well... "normal" light-emitting matter anyway) that means the camera takes an image in about 1/3rd the time of a regular camera.
I was a bit skeptical at first. But one day I was over at a friend's house and he showed me an image that was *just* taken using a 60Da. I put my 5D II (I didn't have the 5D III yet) onto HIS scope and took the image of the very same object the following night. With an equal exposure time I could barely see the galaxy. I doubled the exposure... I could see more, but not much more. I tripled it... and finally I was starting to see the object but it *still* wasn't as good as his 60Da image. That made a believer out of me.
I still have to contend with the fact that a the Bayer Mask used in color cameras also desensitizes the camera. A more serious astrophotography camera would be monochrome only... and cooled.
One of these days I'll buy an SBIG (Santa Barbara Instruments Group).
I had my eye on one of these:
https://www.sbig.com/products/cameras/stxl/stxl-11002/
But one of my serious imaging friends is nudging me toward one of these:
https://www.sbig.com/products/cameras/stx/stx-16803/
When you image in monochrome you take multiple exposures through filters (usually a robotic filter wheel), image at specific wavelengths, and then use software to assign each B&W image (taken at a specific frequency) to a color channel and create a color image. These high-end imaging camera have astonishing performance. The reason my friend is nudging me toward the more expensive camera is due to the "well depth" of the sensor. The "well depth" can be thought of as the number of photons that a single photo-site on the sensor can collect before that photo-site is completely saturated and can only report the pixel as being completely "white" (blown out). Basically "well depth" is an indicator of dynamic range.
One of those cameras is on my list of "one of these days.... " daydreams.
For now... I use the 60Da.