For beginning photographers, one of the basic lessons in arranging the composition is to scan the image and the foreground/background prior to clicking the shutter. It takes time to acquire this habit, as it usually comes only after the more immediate techniques of getting the exposure right and getting the right focus and depth-of-field are learned and mastered. Yet, controlling what appears in the image frame is one of the differences between a snapshooter and a master photographer.
So let me tell you what I liked and didn't.
The light is pleasing, the bench is shot at an angle, which creates a nice set of diagonals, and the motif of the bench backrest echoes the vines on the wall.
On the other side, the bench is partly cut off (as Frequency has noted), there is that blob of white at the upper left that doesn't contribute to the image (as both Frequency and Haya.H said), and the block of wood at the leg of the bench is also not helping.
We don't know what your vision was when you took the picture (as tirediron noted), but assuming that you saw the pleasing light on the bench and the way it fitted into its environment, I'd suggest moving a little back from the bench to capture it all, changing the angle by moving to the left, thereby avoiding including the white wall in the image, and perhaps lowering the height at which you took. However, the elements that I would keep are the diagonal lines, and the juxtaposition of the bench against the vine-covered wall.
There are many potential pictures in the scene that you shot. Haya.H and Frequency both showed you some possible alternate views. However, we don't know what you were trying to achieve, and in that, it is difficult to tell you whether we think you have succeeded or not.