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Just beautiful! You did very well here. You could put something like this on stock card paper and use for personalized greeting cards. Very good work.View attachment 193449 Tonight I copied a Kris Keyes tutorial. I really love her style and that is what I’m working toward. She makes it seem so effortless. In one of her tutorials she says “you have to practice a lot and work hard to make it look like you didn’t work hard”. I would consider this effort mildly successful but I think I went too far with some of the finishing touches and details. Also my stems and leaves still suck. But I am loving the ink instead of the watercolors (the magenta here) and I’m going to order a set of inks. The colors are just so much more vibrant.
Just beautiful! You did very well here. You could put something like this on stock card paper and use for personalized greeting cards. Very good work.View attachment 193449 Tonight I copied a Kris Keyes tutorial. I really love her style and that is what I’m working toward. She makes it seem so effortless. In one of her tutorials she says “you have to practice a lot and work hard to make it look like you didn’t work hard”. I would consider this effort mildly successful but I think I went too far with some of the finishing touches and details. Also my stems and leaves still suck. But I am loving the ink instead of the watercolors (the magenta here) and I’m going to order a set of inks. The colors are just so much more vibrant.
Interesting that you're moving to trying more ink. I agree that magenta sure looks intense. Looking forward to seeing what you do with it - ink is something I'm really not likely to ever try. I think both @snowbear and @waday sketch and paint with it.
Some angles are more flattering than others, but I'm not trying to make these precious, just learn how to assess a face.
2) My eyebrows are unevenly shaped, as I guess I unconsciously knew from my working years/makeup, using eyebrow pencil to even them up. One's straight, one arches - when you start to draw this stuff, it stands out. 3) I have a very bony neck/collarbone area, that stands out more than I knew. Just beautiful! You did very well here. You could put something like this on stock card paper and use for personalized greeting cards. Very good work.View attachment 193449 Tonight I copied a Kris Keyes tutorial. I really love her style and that is what I’m working toward. She makes it seem so effortless. In one of her tutorials she says “you have to practice a lot and work hard to make it look like you didn’t work hard”. I would consider this effort mildly successful but I think I went too far with some of the finishing touches and details. Also my stems and leaves still suck. But I am loving the ink instead of the watercolors (the magenta here) and I’m going to order a set of inks. The colors are just so much more vibrant.
Interesting that you're moving to trying more ink. I agree that magenta sure looks intense. Looking forward to seeing what you do with it - ink is something I'm really not likely to ever try. I think both @snowbear and @waday sketch and paint with it.
Keyes uses inks and watercolors combined and the inks seem to behave similarly with the way they bloom and spread out when they hit the water but they don’t lighten or fade after they dry. I’m trying to hold off on buying anything else for now. We’ll see how long I can hold out lol. I’ve been pretty much Amazon shopping my way through the pandemic and need to rein it in!
You and me both! But it keeps us indoors and occupied, which is kind of the point. Aside from blowing lots of money on books, I think I only splurged on the graphite pencil set, which was on sale, and different papers.Nice job on the eyes.
What inks are you using, Sharon? I like that color.
I remember doing an exercise where we drew a model, first with five lines, then four lined, then three, then two then one. The model was on her knees & elbows (knees and elbows were bent) and her head down - think turtle. Mine started out with what looked like a curvy stick figure, then got real abstract.
Well, the desk is together, though I have to order another of their cable management trays (it attaches under the desk and holds all the wires so crap isn't all over the floor), so the drawing table is in storage. I was able to keep the two drawer units here. Now I need some subject ideas.
All of my money (and then some) went to the home office - electric Vari-desk, table, and small file cabinet/drawer unit. I still need a better chair, but that will come later. I haven't had the nerve to look at art supplies.
A live model like that sounds intimidating - but also a real drawing class! That's a good way to learn.Nice job on the eyes.
What inks are you using, Sharon? I like that color.
I remember doing an exercise where we drew a model, first with five lines, then four lined, then three, then two then one. The model was on her knees & elbows (knees and elbows were bent) and her head down - think turtle. Mine started out with what looked like a curvy stick figure, then got real abstract.
Well, the desk is together, though I have to order another of their cable management trays (it attaches under the desk and holds all the wires so crap isn't all over the floor), so the drawing table is in storage. I was able to keep the two drawer units here. Now I need some subject ideas.
All of my money (and then some) went to the home office - electric Vari-desk, table, and small file cabinet/drawer unit. I still need a better chair, but that will come later. I haven't had the nerve to look at art supplies.
My wife and I have been so bad. Me particularly with art supplies. LOLI’ve been pretty much Amazon shopping my way through the pandemic and need to rein it in!
Terri, these are great! I love the minimal nature of them, the clean lines, and the select shading.Here's what I've been playing with: graphite self portraits. I have so few recent shots of me, I had to cobble a couple together to try to get different facial angles.
These first few are kind of fussy - I have a set of actual drawing pencils that allow for shading, but I don't really know what I'm doing. Trying to follow lines, jowls, etc., to keep it real.Some angles are more flattering than others, but I'm not trying to make these precious, just learn how to assess a face.
Hair down (top heavy from layers):
View attachment 193470
Profile view, with hair in typical ponytail:
View attachment 193471
Frontal view with hair in ponytail. This one's not a good likeness, somehow. Face too thin or long - it's just wrong. Okay looking, but wrong. meh.
View attachment 193477
This is the last one I did. Here, I quit trying to sketch out, then fill in, eyebrows, lids, etc. I just wanted a line drawing, and was happy to get a single line from an eyebrow all the way down to shaping the nose.Took me awhile to figure this out. Didn't bother much with shading or even the hair.
View attachment 193478
Things I've learned about my face: 1) my nose is bigger than I thought.2) My eyebrows are unevenly shaped, as I guess I unconsciously knew from my working years/makeup, using eyebrow pencil to even them up. One's straight, one arches - when you start to draw this stuff, it stands out. 3) I have a very bony neck/collarbone area, that stands out more than I knew.
Anyway, good exercise. I'm ready to get back to copying Picasso, where symmetry goes out the window!


Thanks Charlie! If I focus on details, I can spend hours. Those hours end in frustration. I’m seeing how focusing on shapes, angles, etc impact the image first, then if I want, I’ll go back to fill in the details (and spend more time).Nice, Wade, You want to speed up and I want to slow down.