Everyone kinda has there own take on the whole thing but consistancy with technique is the key with everyone developing their own style and methods once you get the hang of it. But here's mine for one example.
I started out not trying to reinvent the wheel and just followed in the footsteps of the giants in the field. What I have settled into is a little of everything from each person I modeled after. I shoot 100ISO only with Fuji 64T being my only exception, and a fairly new one at that.
I shoot everything at
f/5.6 so my only variable is time. For what I'm doing, there is a five day window to shoot each month. 2 nights before, the night of, and 2 nights after a full moon.
My exposures all range from 5 to 15 minutes during a full moon and vary accordingly on the surrounding evenings by about a half stop each night on the average depending on what the moon is doing. It takes a few outings but you'll start to be able to judge the intensity of the moonlight and your own
Twighlight Zone System will emerge.
There are tons of variables but all are only really taught to yourself through personal experience and whatever style/method you lean towards. For the full moon stuff, far away from city light polution, start out with a 100ISO slide film you're familiar with, stick with one aperature for the whole night, and bracket like crazy. Something like 4 minutes at f/5.6 with 100ISO and go from there. Remember though that one stop more than 4 minutes is 8 minutes, and one more stop would be 16 minutes.
Your first few rolls will be nothing but education and at these exposure times you have plenty of time to walk off, sit down, and log your exposure times with tons of notes. When I'm out solo my exposure notes turn into long, drawn out narratives, just like this post
To compare, it's just like music, you struggle a bit and then all of a sudden everything you've been cramming into your heads just pops and makes sense all at once. I've heard, but not personally experienced, that learning a forgeign language is the same way.
From there you just start experimenting with other things like light painting with flash lights and/or flash units. Basically just dump everything you know about exposing film during the day out of your head and start over
