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- #31
Now, to get back to the issue at hand: Each light in a setup serves a specific purpose. Start with your key or main light. That is the light which will provide the bulk of the illumination for the set and the one on which the exposure is based.
One thing we can't tell is how far your product is from the background; you want as much separation as possible, and you should probably raise the height of the seamless as well.
Let's start with the key. Use #4 (I am going to pretend that these are your new strobes), and position it so that it is about 30 degrees camera right and angled about 45 degrees down. Place it so that the closest point of the front is no more than 2' from the product and adjust for f8. Bring in #3 just a little bit off-axis camera left (maybe 10 degrees) and angled only slightly down off of the vertical. Get this as close as you can as well; ideally within 2' and set for f5.6. Position 1 and 2 so that they cross light the background (ie the light on the right side of the table illuminates the left side of the set) and so that they are roughly even with the product. Set them to f8.
You're now in the ballpark... roughly. Shoot a test shot and tweak the positions of the lights slightly as necessary to eliminate any excess specularity. Using the stock of white & black card to flag & reflect, tweak small areas until you have it dialed in. For products that are very highly polished you may need to employ cross-polarization (a cut of polarizing film on the light and a CPOL on the lens).
One thing we can't tell is how far your product is from the background; you want as much separation as possible, and you should probably raise the height of the seamless as well.
Let's start with the key. Use #4 (I am going to pretend that these are your new strobes), and position it so that it is about 30 degrees camera right and angled about 45 degrees down. Place it so that the closest point of the front is no more than 2' from the product and adjust for f8. Bring in #3 just a little bit off-axis camera left (maybe 10 degrees) and angled only slightly down off of the vertical. Get this as close as you can as well; ideally within 2' and set for f5.6. Position 1 and 2 so that they cross light the background (ie the light on the right side of the table illuminates the left side of the set) and so that they are roughly even with the product. Set them to f8.
You're now in the ballpark... roughly. Shoot a test shot and tweak the positions of the lights slightly as necessary to eliminate any excess specularity. Using the stock of white & black card to flag & reflect, tweak small areas until you have it dialed in. For products that are very highly polished you may need to employ cross-polarization (a cut of polarizing film on the light and a CPOL on the lens).