This one I am filing under 100% experimental.
I bought this coarse pumice gel medium to experiment with adding texture in oil pastel paintings. The stuff is very gritty/sand-like material mixed into a gel that can be spread onto a canvas or heavy paper. I should have used a watercolor paper, but I seem to make a lot of mistakes in that regard. I used Arches oil paper.
I have also been looking at a lot of folk art lately, just for different inspirations, and thought a barnyard would be a good scene to use some of this gel in. I sketched out a very loose scene and spread the gel out with a palette knife:
It has a watery base so my NOT-watercolor paper buckled somewhat. I let it dry overnight and it smoothed out. I left a lot of white paper under the gel because I wanted to make sure I could work enough oil pastel in there. Had no idea what to expect.
After putting in some background, I got my cheapest OP's, Cray-Pas Expressionists, and just worked them all over the pumice gel. It went on fine, just ate up the OP stick, which I expected. I used a couple of different colors.
Then I brushed Turpenoid over the oil pastels on the gel, hoping to smooth out the color, so I'd end up with a rough-looking barnyard ground, and I was happy when it looked like this:
So from there, I just kept going with the idea of a "folk art" kind of painting. I usually blend oil pastels out smoothly, but for this one I just kept adding stroke marks, so it would look crayon-like. With folk art, it seems that perfect lines, dimensions and perspectives can be played with.
Frankly, I don't know if I even
like this final painting - but on the whole as an experimental thing, it was fun. Just way outside how I usually work.
Next time I use this gel, it might be for a beach scene. Nice and sandy.