bernyneedshelp
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Let me check:A great example. But then again that is a very specific use. .........
How many more 'specific uses' would you like to see?
... (forum won´t let me post more than 5 media, so I had to remove these from your post - please watch the videos in the post above)
On the other hand there are these kind of videos (not mine and probably a bit exaggerated, but quite to the point):
- first video: if you want your film to look somewhat professional, you´d always choose a shutterspeed of 1/2 x fps - so in Europe (PAL) that´s 1/50th, in the US (NTSC) that´s 1/60th so that´s not a big deal with these settings.
of course that would require ND filters outdoor, which not many are using. But if the OP is going the more professional route which I think he will, he´d consider that. Other than that he will be indoors, not on a plane and have no issues to set 1/50th without ND filters.
- two and three - well yes that happens if somebody is wildly rotating the camera on a tripod left and right - I´d say that is specific use
. Sure it does happen going only one direction too, but you´d only do that for a very short time - maybe a second or even a fraction. Otherwise you´ll end up with a sick audience. And that second, maybe 1 or 2 percent of your audience will realize (especially if you are filming in a way that the audience doesn´t concentrate too much on the background)
- fourth video: at 1:45 the speaker says: "at first glance it looks both cameras are capturing the sequence in the same way". Well, usually you watch the footage and don´t look at frozen frames, so the first glance is exactly what most people do.
- fifth video: well yes that sure is weird. But usually your audience looking at that wouldn´t mind at all. If they wouldn´t have somebody point you at they probably wouldn´t even realize. That´s the point I was trying to make. Most people are no professional filmmakers, they watch movies different than we do.
The interesting thing is that I couldn´t quickly find a depth of field comparison videocamera vs DSLR. That´s cool because as soon as the weather gets better here, I´ll do a short comparison between Sony PMW EX1 Videocamera (1/2" Sensor) vs DSLRs crop and fullframe vs mirrorless crop and fullframe. I need to go charging the PMW EX1 right away, because I haven´t used it for two years.
I don´t say videocameras are bad and I don´t say DSLRs are bad - either one is good in their own way, and it´s good to show the people the different aspects to make an educated decision on what is best for their needs. I prefer to shoot cameras with full frame sensors (Sony A7II mirrorless series) and don´t mind the rolling shutter in most situations (in fact I can think of only one situation when I dumped the footage). Here is a wedding I recently shot that would look totally different, wouldn´t have Canon decided to present the 5D Mark II a few years ago and open the field of shallow depth for filmmakers on a tighter budget. Go, find the rolling shutter. It is there, but does it distract from anything? Is tbe shallow depth on the other hand adding something to the movie? Decide for yourself:
Edited for formatting
This is the type of video I want to make.
Cool, I like it. Quite a few closeups though - if you want to get that close, you need a macro lens.
I think the sony a6000 is really a great camera for that - compared to other DSLRs, or mirrorless it has a really fast continuous autofocus for filming, I am not so sure about autofocus on macro lenses though. The video you show has quite a lot of out of focus moments, where the focus didn´t work as intended.
And one more thing: regarding tripods: you get what you pay for. If you want to track a fish that close you need one with a good fluid head. These are rather expensive though. Maybe you´d be better off with a brushless gimbal - you can combine slider and tripod in one device - it needs some practice though. But then again that video you posted is not extremely smooth.
Whatever you choose - take your time for filming and enjoy the process. And in the end only take your best footage to combine it to a movie. You´d better spend a few more hours filming than creating a movie everyone else could too.
I agree completely, yeah the video is out of focus some times and changes focus back and forth trying to focus on the fish, I would do the same but cut out the parts where im trying to get the camera to focus. I would love a brushless gimbal but aren't they even more expensive than the tripod and the fluid head??
I'm afraid a good tripod/fluid head easily costs 600 bucks. Well, and you don't want a bad one, trust me. It's the fluid motion that makes all the difference. Especially for what you plan. I learned the hard way and so did friends. But maybe you can go the rental route. I'd recommend sachtler, despite their rather high prices, they are still the cheapest really usable fluid heads that I know. I need to admit though, that my last intensive search for video tripods was three years ago. But that's not the area with the most innovation, so I guess there wasn't much change.
There are nice workarounds like using rubberbands with bad videoheads to make movement fluid, but there is always a deadband - I don't think that will work with your fish.
Well, and then add the slider to those 600 and you get veeeeery close to a gimbal.
Taking another look at the video you posted, I don't think they use other lights, than the tank lights from the top. If you avoid the light to spill out into the room, you might not need any cloth if your camera doesn't get too close. Avoid to wear bright clothes though. Black is your friend.
The cheapest Sachtler tripod and fluid head I found was the 1001 Ace M with the Ace M fluid head and it's 600$,that might be overkill for a camera worth 1000-1200$ with lenses, Il look around see what I can find, I hope to findo something around 400$ but if I can't find anything then Il probably save up for the Sachtler. And which slider would you recommend?